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Solarmovie Free Online A Hidden Life

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2881 votes country=Germany 8,3 of 10 Stars A Hidden Life is a movie starring August Diehl, Valerie Pachner, and Maria Simon. The Austrian Franz Jägerstätter, a conscientious objector, refuses to fight for the Nazis in World War II 2Hour, 54 M Release Year=2019.

Five stars. You wont be able to refrain from shedding tears at least once in this film

Uma vida escondida del.

 

Uma vida escondida trailer portugal. Uma vida escondida de. Filme uma vida escondida. Uma vida escondida puerto rico. Taking acid and watching this film is going to be a kind of trial by fire. Uma Vida escondida.

Great movie. Enjoyed every minute of it

3 wins & 14 nominations. See more awards  » Learn more More Like This Drama | Romance Sport 1 2 3 4 5 6 7 8 9 10 7. 7 / 10 X Traces the journey of a suburban family - led by a well-intentioned but domineering father - as they navigate love, forgiveness, and coming together in the aftermath of a loss. Director: Trey Edward Shults Stars: Taylor Russell, Kelvin Harrison Jr., Alexa Demie 7. 4 / 10 A young actor's stormy childhood and early adult years as he struggles to reconcile with his father and deal with his mental health. Alma Har'el Shia LaBeouf, Lucas Hedges, Noah Jupe Biography Crime 7. 5 / 10 American security guard Richard Jewell saves thousands of lives from an exploding bomb at the 1996 Olympics, but is vilified by journalists and the press who falsely reported that he was a terrorist. Clint Eastwood Paul Walter Hauser, Sam Rockwell, Brandon Stanley History 7. 6 / 10 A corporate defense attorney takes on an environmental lawsuit against a chemical company that exposes a lengthy history of pollution. Todd Haynes Mark Ruffalo, Anne Hathaway, Tim Robbins World-renowned civil rights defense attorney Bryan Stevenson works to free a wrongly condemned death row prisoner. Destin Daniel Cretton Brie Larson, Michael B. Jordan, O'Shea Jackson Jr. 7 / 10 A couple's first date takes an unexpected turn when a police officer pulls them over. Melina Matsoukas Daniel Kaluuya, Jodie Turner-Smith, Bokeem Woodbine Comedy 6. 5 / 10 Based on the novel by Charles Dickens. Armando Iannucci Dev Patel, Hugh Laurie, Tilda Swinton 6. 8 / 10 A group of women take on Fox News head Roger Ailes and the toxic atmosphere he presided over at the network. Jay Roach Charlize Theron, Nicole Kidman, Margot Robbie Mystery Consummate con man Roy Courtnay has set his sights on his latest mark: the recently widowed Betty McLeish, worth millions. But this time, what should have been a simple swindle escalates into a cat-and-mouse game with the ultimate stakes. Bill Condon Helen Mirren, Ian McKellen, Russell Tovey Horror Sci-Fi 6. 3 / 10 A secluded farm is struck by a strange meteorite which has apocalyptic consequences for the family living there and possibly the world. Richard Stanley Nicolas Cage, Joely Richardson, Madeleine Arthur Martin is a fisherman without a boat, his brother Steven having re-purposed it as a tourist tripper. With their childhood home now a get-away for London money, Martin is displaced to the estate above the harbour. Mark Jenkin Edward Rowe, Mary Woodvine, Simon Shepherd Documentary War 8. 6 / 10 FOR SAMA is both an intimate and epic journey into the female experience of war. Directors: Waad Al-Kateab, Edward Watts Hamza Al-Khateab, Sama Al-Khateab Edit Storyline Based on real events, A HIDDEN LIFE is the story of an unsung hero, Bl. Franz Jägerstätter, who refused to fight for the Nazis in World War II. When the Austrian peasant farmer is faced with the threat of execution for treason, it is his unwavering faith and his love for his wife, Fani, and children that keeps his spirit alive. Written by Anonymous Plot Summary Plot Synopsis Details Release Date: 30 January 2020 (Germany) See more  » Also Known As: A Hidden Life Box Office Opening Weekend USA: $50, 383, 15 December 2019 Cumulative Worldwide Gross: $3, 369, 397 See more on IMDbPro  » Company Credits Technical Specs See full technical specs  » Did You Know? Trivia Joerg Widmer previously worked with Terrence Malick as his Steadicam operator on his previous five films and stepped into the filmmaker's long-time collaborator Emmanuel Lubezki's shoes for A Hidden Life. See more » Quotes Lorenz Schwaninger: [ Talking to his daughter Fani, who is also Franz Jägerstätter's wife, about Franz's imprisonment and the resultant mistreatment that the family is facing] Better to suffer injustice than to do it. See more » Crazy Credits The title card at the end of the picture comes from the final sentence of George Eliot's "Middlemarch". See more » Frequently Asked Questions See more ».

Uma vida escondida cinema.

Never thought i'd ever hear both mark kermode and simon mayo say oneohtrix point never

This somewhat resembles my friend's life. Uma vida escondida. Plutôt mourir que de se compromettre, pour Frantz. Il faut dire que la compromission aurait été de taille, car ce paysan autrichien clairement opposé au nazisme s’est retrouvé incorporé dans la Wehrmacht. Est-il fou, est-il sage? Le plus lucide des hommes ou le plus déraisonnable? Après avoir longtemps exprimé son dégoût du nazisme, dont les principes défient les lois de la Bible qui lui sont chers, un paysan autrichien est incorporé dans la Wehrmacht. Comme il refuse de combattre, il est jugé pour trahison et exécuté le 9 août 1943… Franz Jägerstätter a existé. Mais, dans Une vie cachée, sorti le 11 décembre, Terrence Malick se l’est approprié. Et en a fait l’aboutissement d’un personnage qu’il a perpétuellement poursuivi, approfondi et affiné. Dans un film qui apparaît comme un accomplissement: l’osmose parfaite entre le lyrisme panthéiste des débuts ( La Balade sauvage, 1973, Les Moissons du ciel, 1978) et la fragmentation syncopée des dernières œuvres ( À la merveille, 2012, Knight of Cups, 2015, Song to Song, 2017). Video of 9vUqv18t6Ts Au départ, le héros « malickien » n’a pas conscience de grand-chose. Dans La Balade sauvage, Kit (Martin Sheen) et sa compagne, Holly (Sissy Spacek), sont, selon l’expression de Damien Ziegler, auteur d’un Dictionnaire Terrence Malick (aux éditions LettMotif), « des coquilles vides, des masques sans identité propre ». À tel point que le jeune homme, dont la ressemblance avec James Dean est remarquée par un flic, met en scène son arrestation comme pour ressembler davantage à ce double cinématographique. Comme si son identité se résumait à vivre un remake de La Fureur de vivre. Kit est étranger: à lui-même, aux autres et à une nature que le cinéaste filme, déjà, dans sa splendeur et sa cruauté. Quand il tue le père de sa copine, il l’exécute froidement, sans réfléchir, absolument indifférent: « Dans un univers indifférent et amoral, où la mort n’est qu’anecdote, écrit Damien Ziegler, tuer ne prête pas à conséquence. Kit tue comme Meursault dans L’Étranger d’Albert Camus, à cause du soleil. » La Ligne rouge, de Terrence Malick (1998), avec Jim Caviezel et Matt Doran. Prod DB © Fox 2000 - Phoenix Rien de commun avec le héros de La Ligne rouge (1998), qui marquait le retour du cinéaste après un silence de vingt ans. Contrairement à Kit, le soldat Witt (Jim Caviezel) ne cesse de s’interroger: « Quelle est cette guerre au cœur de la nature? », « Pourquoi renferme-t-elle une force vengeresse? » Il s’oppose à son supérieur: « Dans ce bas monde, prétend le sergent Welsh (Sean Penn), un homme à lui seul n’est rien. Et il n’y a d’autre monde que celui-là. » Le visible, s’entend, ce que Witt conteste: c’est qu’il en a pressenti un autre – un au-delà immortel – en observant la sérénité de sa mère devant la mort. On en arrive à Franz (August Diehl). En grossissant le trait, on pourrait affirmer que Kit ne comprenait pas ce qu’il faisait sur terre. Witt se le demandait sans cesse. Franz le sait – ce qui le rend forcément agaçant en un temps qui prône avec ferveur l’interrogation perpétuelle et le doute permanent. Une époque qui a fait sien, depuis longtemps, le célèbre – mais parfois dangereux – « chacun a ses raisons » de Jean Renoir. Une vie cachée  (2019), de Terrence Malick. © Studio Babelsberg - Elizabeth Bay Productions Franz prononce une formule inouïe, totalement inconcevable aujourd’hui: « La conscience fait de nous des lâches. » L’inconscience serait, donc, pour lui, une source de courage? D’abnégation, en tout cas. Car la loi de Franz est sa foi. Moins en Dieu (ses détracteurs déguisent Terrence Malick en bondieusard, ce qu’il n’est pas) que dans la contagion du Bien. Sa force inéluctable. Sa déflagration. Son irradiation… « Je ne peux faire ce que je crois être mal », répète Franz. Et attention: un seul faux pas et, déjà, on se perd. Une compromission, aussi minime soit-elle, et l’on est détruit. Ne pas renoncer, donc. Aller jusqu’au bout de ce que l’on croit. De ce qu’il faut… « Mourons pour des idées, d’accord, mais de mort lente », chantait Georges Brassens. Franz ne serait pas d’accord: mieux vaut mourir vite et bien que vivre trop et mal… Le sacrifice de soi pour ne pas succomber aux ténèbres: on ne saurait imaginer morale aussi exigeante. Et démodée.

The storyline would have been great if she wasn't a home wrecker, hard to have sympathy for someone like that. Uma vida escondida restaurant. Uma vida escondida song. Uma vida escondida resort. Uma vida escondida karaoke. Uma Vida escondido. Uma vida escondida para. A HIDDEN LIFE is a return to form for Director Terrence Malick - a wondrous and deeply moving one. After films such as KNIGHT OF CUPS and TO THE WONDER, even Malick's most devoted admirers started to feel that his style had gotten style. After his twenty year hiatus from the Directing chair after DAYS OF HEAVEN in 1978, returned with THE THIN RED LINE. A tone poem told largely through images and narration. He continued that new way of filmmaking with A NEW WORLD, reaching his highest acclaim with 2011's TREE OF LIFE.
With A HIDDEN LIFE, Malick continues in a similar vein, but, with a renewed emphasis on narrative to tie the imagery together. The movie is based on the true story of an Austrian farmer Franz Jägerstätter (August Diehl) who refused to pledge allegiance to Hitler and Germany during WWII. Franz had been a soldier for Austria, even so, he refused to avow loyalty to the Nazi regime. Franz's wife Fani (Valerie Pachner) and two young children bear the brunt of the village's citizens who have chosen to go along to get along. Franz is given several opportunities to avoid the consequences of refusing to fight by giving an even half-hearted oath to Hitler, but, he stands on principle above all else.
But, pure plot isn't what Malick is after. There is, maybe, about an hour's worth of dialogue over the movie's three hour length. Along with Cinematographer Jorg Widmer and Composer James Newman Howard (augmented with many classical pieces) Malick is striving for something much deeper. Widmer's use of wide lenses allows for the camera to be both intimate as well as giving the viewer a view of the mountainous landscape of the Austrian countryside. Using digital photography exclusively for the first time, Malick was able to have the camera run for long periods in order to allow Diehl and the cast to improvise and inhabit their roles and surroundings.
Malick's aesthetic is certainly not for the masses, but, here it works gorgeously. The cumulative effect is a sense of lives that were actually lived - not just scripted. There is a spiritual feel to the movie that goes beyond the mere religious* into something more profound.
Malick's work has been compared to that of the great Russian Director Andrei Tarkovsky. They are two of the finest Cinema Poets. A HIDDEN LIFE is a superb testament to Malick's art.
. Franz Jägerstätter has been Beatified and made into a Martyr of the Catholic Church.
P.S. the great European actor Bruno Ganz has a small but important role as a Judge. This was to be his penultimate film.

Everybody in the comment section : FRIENDS ME : Boy in the tumbnail looks like an ultimate eboy

I disliked this because of the personal identity appeal to emotion epidemic. You don't decide to be a native Tsalagi blood indigenous American. You either are or you're not. You can not take a tribal title like Cherokee, Chickasaw, Choctow etc... either. It must be allowed by the tribe if you accept their way of life. There are too many people believing what they're not. If they don't stop, we're going to see a future of delusional crazy people and nothing but total social chaos. What an interesting and well written documentary! I love shows like this. Congratulations to all involved on this trailer; it is the pattern for what trailers 'should' be! Well done, both for what it reveals and especially for all it doesn't. Thank you.

Download A Hidden Streaming A Hidden Life (2018) EnglIsh Full MOViE ONline. Uma vida escondida imdb. Can some one say to me the name of the last song of the tráiler. Uma vida escondida mi. Uma vida escondida letra. This is my first review, I couldn't help it.
This movie is beyond amazing. It made me wanting more, I have never felt this way after watching a 3 hour movie. The cashier asked me if I was watching the "3 hour movie" I got worried since we're not so used to it. But the first 20 minutes... I know 3 hours would be too little for such amazing cinematography and score. Everything is incredible! Some shots you just wonder; they're so real who'd they capture that on film. Terrance Malick is from a different universe for sure. Do yourself a favor and watch it with no expectations. Oh man I loved that movie.

I didn't even needed to see who directed this. The cinematography tells you inmidiatly. A Hidden Life How. This looks amazing held my breath the entire trailer. Uma vida escondida pelicula completa.

 

 

 

Portrait De La Jeune Fille En Feu No Register Apple

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2019 Rating: 9,2 / 10 stars Céline Sciamma Céline Sciamma Luàna Bajrami Country: France.

I need someone look at me like that and love me like that... 😭

This is an awesome movie for anyone who likes good movies. Heloise: oh heck im on fire. PORTRAIT DE LA JEUNE FILLE EN FEU Sortie en France le 18/09/2019 réalisé par Céline Sciamma avec Noemi Merlant, Adele Haenel, Luana Bajrami, Valeria Golino Noémie Merlant et Adele Haenel jouent le rôle de deux femmes du XVIIIe siècle. Le titre de la dernière œuvre de Céline Sciamma  a  plusieurs significations. Tout d’abord, il s’agit d’un portrait réel que la protagoniste principale, Marianne (Noémie Merlant), peint. Mais il désigne également le film lui-même comme une étude cinématographique de la dame en question, Heloise (Adele Haenel), dont la robe coulante s’enflamme littéralement à un moment donné suite à  l'amour et le désir qu'elle ressent pour Marianne. Le film se déroule après 1770, dans un coin reculé de la Bretagne, près de la côte atlantique. Marianne est une femme semi-indépendante, apprentie de son père peintre plus acclamé et plus connu (un personnage que nous ne rencontrons jamais), Marianne est une portraitiste experte à part entière, qui se rend dans des maisons pour peindre des sujets sur commande. Elle arrive chez une comtesse veuve (Valeria Golino), qui souhaite que Marianne face le portrait de sa fille, Héloïse, afin de l'envoyer à l'homme milanais à qui elle a fiancé Héloïse sans même le présenter, comme c'était la coutume. Avec mélancolie, la comtesse se souvient que son propre portrait, peint par le père de Marianne, était arrivé au château avant elle quand elle était jeune femme. Un autre peintre, un homme, a essayé et n'a pas réussi à peindre Heloïse parce qu'elle refusait simplement de siéger à ses côtés. Car elle est dans  le chagrin de la perte d'une sœur aînée, récemment décédée dans des circonstances mystérieuses. La comtesse a donc engagé Marianne pour prétendre être une compagne de promenade pour sa fille, qui venait tout juste de rentrer d'un couvent. Les deux femmes tombent amoureuses peu à peu. On assiste à  une série de promenades, de conversations et de longs regards entre les femmes, au cours desquelles le tableau, au fur et à mesure de son développement, devient un autre personnage du récit, faisant partie d'un plan à trois émotionnel. Heloise va alors jouer un rôle de premier plan dans la création artistique, devenant une collaboratrice de Marianne au lieu d'être simplement l'objet de son regard. Un autre personnage entre  dans le cercle des amoureux:  Sophie la femme de ménage (Luana Bajrami),... Film romantique consacré  également à l’histoire de l’art notamment sur les vraies peintres historiques de cette période.  Merlant et Haenel, sont deux actrices qui nous montrent une vraie alchimie entre elles, ressentie non seulement dans les scènes d'amour. PORTRAIT DE LA JEUNE FILLE EN FEU acteurs francais spiesser.

Portrait De La Jeune Fille en fête. Portrait De La Jeune Fille en fer forgé. Portrait De La Jeune Fille En. Oh la la. tas raison de te plaindre. personne ne le ferait à ta place. In all my years of watching movies, I have never set eyes on such pretentious garbage. The dialogue is soporific, the acting is so wooden that the Californian redwoods pale into insignificance in comparison.
Just as an example, 8 minutes into the movie, there is a scene of the woman, naked in front of a fireplace, smoking a pipe, with 2 canvases drying either side of her. Utter self indulgent refuse of the highest order.
How this movie got an average of 8.3, I will never know. Perhaps all the Carsten Janckers who go to Cannes and drool over cinematic dross piled onto IMDB in their droves?
There are so many good movies that hail from our Gallic neighbours, unfortunately, it's because of festering celluloid cow-pats such as this which garner attention with golden globe and oscar noms, that most cinema viewing folk stay well clear of anything French. It stands to agine someone introduces you to the worst wine on earth. the kind of stuff that would strip paint and make vinegar seem like a fine Chianti? Would you rush out to buy more of the stuff?
So yeah, if you like pretentious nonsense. you'll love this. If however you have an ounce of taste when it comes to silver screen presentations, then stay well clear.

- Film d'auteur français annoncé comme sobre mais également intense et passionné, Portrait de la jeune fille en feu est signé par Céline Sciamma (réalisatrice révélée par Naissance des pieuvres, et confirmée par Tomboy et Bande de filles). Il s'attache à une jeune femmme peintre (Noémie Merlant, vue dans Les Héritiers, Le Ciel attendra ou Curiosa) à laquelle on commande un portrait, dans un XVIIIe siècle où les femmes sont très contraintes. Un récit qui se déroule sur une île venteuse, avec à la clé une réalisation décrite comme très belle, et un casting composé de Luana Bajrami (Fête de famille), Valeria Golino (Rain Man) et bien sûr Adèle Haenel (Les Combattants). Un film récompensé par le Prix du scénario à Cannes 2019.

Congratulations 😍🥰😘. Portrait De La Jeune Fille En feu arrière. 쑥스러워하는 모습이 진짜 귀엽다 ㅎ. This movie most beautiful lgbtq movie i've ever seen. Portrait de la jeune fille en feu (2019, Франция), IMDb: 8. 2 © Arte France Cinema © ПРОвзгляд Дата выхода в России 24 октября 2019 Костюмированная мелодрама и манифест нового женского кино 1770 год. Художница Марианна прибывает на тихий остров в Бретани. Она должна написать свадебный портрет Элоизы, однако Элоиза не позирует, замуж собирается неохотно, да и вообще не знает о намерениях Марианны. Спустя пару прогулок две красавицы сблизятся. «Портрет молодой женщины в огне» подкупает своей филигранной цветовой палитрой, восхищает эстетскими мизансценами и сражает наповал дуэтом чуть ли не главных молодых актрис во французском фестивальном кино сегодня: Ноэми Мерлан и Адель Энель. Историю трепетных отношений двух чутких девушек оценили на Каннском фестивале: фильм Селин Сьямма получил приз за лучший сценарий и «Квир-пальму» за освещение ЛГБТ-темы в кино. Режиссер фильма «Портрет девушки в огне» Как вам фильм? Рецензия «Афиши» на фильм 8 Фрагменты речи влюбленной Конец XVIII века, художественное училище, заполненная девушками аудитория. Классу позирует мастер Марианна (Ноэми Мерлан): горделивый профиль, сложенные руки, печальная сосредоточенность во взгляде. Глаза находят стоящую в другом конце комнаты картину, которую принесла одна из учениц. «Что это? » — спрашивают товарки. «Портрет девушки в огне», — отвечает Марианна и вспоминает, вероятно, самый сложный заказ в своей карьере: как, притворяясь прислугой, писала даму Элоизу (Адель Энель), которую впоследствии выдали за миланского дворянина и с которой у художницы был короткий, но интенсивный роман — с чтением Овидия и прогулками по берегу моря. Два месяца назад пресса прочила новой картине Селин Сьяммы главную «Пальму»; статуэтка за сценарий показалась отдельным критикам прискорбным компромиссом — несмотря на всеобщую любовь к победившим в итоге «Паразитам». Едва ли, впрочем, вердикт каннского жюри как‑то повлияет на сложившуюся уже репутацию «Портрета». Лидер сайта Metacritic и участник первых топов-2019 — это явно не то кино, которому грозит заговор невнимания: пренебречь — себя обнести. Тут важно предупредить: это очень дисциплинированный, педантичный и — в сравнении с тем же каннским триумфатором — может быть, даже монотонный фильм без событий. Глубоко укорененные в культуре образы (художница свободных взглядов; вздорная и при этом уязвимая модель; терпеливая и все понимающая горничная, у которой своя драма), понятный хронотоп (знакомство, первые и не слишком удачные попытки портрета, начало отношений, прорыв), неизбежный (держим в уме время и место) финал. Формальное следование конвенциям, размеренность темпа, сдержанная по большей части игра актрис — имеются, в общем, внешние основания для того, чтобы упрекнуть постановщицу в академизме. Иной зритель, прослышав про характер отношений главных героинь, увидит здесь злополучную «повестку» — и, кажется, пропустит самое главное. Обреченность романа Марианны и Элоизы — не столько следствие чудовищных социокультурных обстоятельств (их Сьямма фиксирует с несколько отстраненной точностью), сколько часть эстетического контракта, графа в метафорическом акте сдачи-приемки. Складывается ощущение, что даже больше, чем патриархальные условности, создательницу «Портрета» интересуют устройство творческого сознания, свойства ума и характера, связанные с производством искусства; попросту говоря, то, что называется талантом. Здесь Марианна и камера становятся почти конкурентками: перенося Элоизу на холст (ловя в объектив), они состязаются, кто лучше ухватит этот вздох и этот взгляд; отдельную интригу фильма составляют поиски улыбки — Элоиза пока не знает, что такое счастье. Конечно, это еще и кино о том, как создается кино (живопись, литература, музыка): линейность повествования-воспоминания, думается, намеренно противоречит дробности картины, на которой части тела существуют отдельно друг от друга, дожидаясь авторской (режиссерской) руки, которая увидит за контуром фигуру. Не менее важно то, как и что в «Портрете» обсуждают. Сьямма играет честно: персонажи — плоть от плоти своей эпохи в том, что касается досуга (жаркие дебаты про миф об Орфее и Эвридике, причем самую радикальную интерпретацию предлагает служанка-тихоня) и представлений о возможности социального маневра: на данном этапе бунт бесперспективен, но никто не отнимет у нас эти несколько дней в раю. Обращает на себя внимание и их речь — нарочито стертая, стилистически нейтральная. С одной стороны, это позволяет избежать анахронизмов, с другой — создает дополнительные сложности: как говорить о любви, пользуясь лексиконом прописных истин? Можно ли выразить живое, уникальное чувство на языке общих мест? Сьямма решает конфликт между интимным и расхожим довольно решительным образом: любовь и есть превращение банальности в частный, только двоим понятный код. Страница 28, «обернись», бегущее по платью пламя, «Времена года» Вивальди — фрагменты эмоционального мира Марианны и Элоизы, наделенные символическим значением детали, в тайну которых мы посвящены. Так, «Портрет» становится многоугольной, упирающейся в зрителя конструкцией, и сценарная награда перестает казаться утешительным, лишь бы отметить, призом. Не получается, однако, интерпретировать этот фильм исключительно как феминистский манифест — при его очевидном эмансипационном потенциале. Переместившись в 1770 год, Сьямма рассказывает универсальную, лишенную строгой гендерной привязки историю о том, как страсть расправляет складки искусства и оставляет тебе с пробоиной где‑то в районе грудной клетки. Зови не зови, целуй не целуй — всех ожидает одна ночь: в виде навязанного мужа или невозможности подписать картину своим именем. Что точно в наших силах — передавать заветные сигналы в надежде, что когда‑нибудь найдется тот или та, кто сможет их расшифровать. Лучшие отзывы о фильме «Портрет девушки в огне» 9 Наслаждение эстета. История, в которой нет места мужчинам, и даже музыка не появляется, чтобы не нарушить идиллию женской красоты. Когда проявления любви отражаются в деликатных, робких прикосновениях художника, словно изучающий поцелуй девушек. Переживания ложатся на холст красками, а изображения человека и чувства к нему сливаются в одно целое на холсте. Никогда ещё любовь женщин не была так утонченно-красиво показана на экране. Словно призывая - не теряйте времени жизни - Любите! 8 Для гурманов в кино — про страсть Фильм «Портрет девушки в огне» — о любви, вспыхнувшей между художником и той, чей портрет пишут. Бретань, 1770. Девушку собираются выдать замуж и нужен портрет для жениха. Но невеста не склонна к замужеству и предпочла бы простую жизнь в женском монастыре — поэтому она категорически отказывается позировать для портрета. Новый художник пишет портрет по памяти, втайне от своей музы. И так ли важно, что художник — это молодая женщина? Фильм снят с явным феминистским посылом, но способен глубоко потрясти самую широкую аудиторию — его нельзя пропустить, как бы вы не относились к идеям режиссёра. «Портретная» манера съёмки с длительными крупными планами настолько точно и волнующе отражает чувства и мысли персонажей, заставляя переживать вместе с ними, что финальная буря из «Времён года» Вивальди вызывает уже настоящее эмоциональное потрясение. Сюжет, изящно и символично раскрывая тяготы женской доли XVIII века и отдавая дань «миру богатых мужчин», не впадает в излишнюю истерию. С большим вкусом показано, что свободная личность в поисках творческого самовыражения не связана рамками своего пола и может быть просто человеком, ищущим родственную душу. Настоящая магия в том, как оживает портрет, когда художник действительно близко узнал человека. Фильм — для ценителей прекрасного, для настоящих гурманов в кино. Мастерская и смелая работа. 1 Сразу обозначу для тех кто собирается смотреть - это лесбийский манифест. При этом это не просто романтичная попытка нарисовать некий мир другой любви, в голове у афторши мир без мужчин, мир где нет другой алтернативы. Видимо радикальное лесбиянство и есть причина по которой фильм получил приз канского фестивпля за освещение лгбт (как я узнал к сожалению потом). Не смог досмтореть. Было мерзко. Считаю что необходимо маркировать анонсы таких фильмов меткой лгбт. 9 Лучшее кино в этом году! красиво про женскую любовь. Техно в фильме про 18 век особенно хорошо)) 9 Мне очень понравилось, душевный, лирический фильм. Даже поплакала. Информация от прокатчика Информация предоставлена компанией «ПРОвзгляд» Действие происходит в конце XVIII века на острове в Бретани, художница должна написать свадебный портрет невесты без ее ведома, женщины постепенно сближаются. В духе «Портрет девушки в огне» Какими достижениями за минувшее десятилетие может похвастаться женское кино? 30 ├F3: M01┤, 2020 Лучшие зарубежные фильмы 2019 года: выбор кинокритика «Афиши» Дениса Виленкина 30 ├F3: M12┤, 2019 Лучшие фильмы про любовь и женщин 2019 года 30 ├F3: M12┤, 2019 Кинопремьеры недели: «Zомбилэнд: Контрольный выстрел», «Арахисовый сокол», «Портрет девушки в огне» и «Побег из Шоушенка» 23 ├F3: M10┤, 2019.

Comment se fait-il quils/elles aient le droit de recevoir des ‘cadeaux ? Conflit of interest ça sappelle. Cest quoi en français déjà ? Ça ne choque personne. The most sublime thing you'll ever see. Portrait De La Jeune Fille en euros. I got so excited when I saw that it was directed by Celine Sciamma. Amazing. Saw it yesterday. It was excellent. Portrait De La Jeune Fille en europe. Adèle and céline destroyed me in water lilies and I let them do the exact same thing in portrait. the lengths I go for french gay cinema.

Entièrement d'accord avec Delphine F ! Vous avez exprimé ce que je pense ! Adèle est géniale et malgré l air un peu ironique du journaliste qui attend autre chose elle dit exactement ce qu' elle a envie de dire ! Bravo Adèle avec des femmes comme toi on avance. Le film est tout simplement magnifique.

 

Portrait De La Jeune Fille En feu rouge. Shout out to Page 28. Mais quel gros con. première question de l'interview pose la couleur... met mal à l'aise Adele... pitoyable, et il s'en rend même ps compte. Critics Consensus A singularly rich period piece, Portrait of a Lady on Fire finds stirring, thought-provoking drama within a powerfully acted romance. 98% TOMATOMETER Total Count: 161 89% Audience Score Verified Ratings: 37 Portrait of a Lady on Fire (Portrait de la jeune fille en feu) Ratings & Reviews Explanation Portrait of a Lady on Fire (Portrait de la jeune fille en feu) Videos Photos Movie Info France, 1760. Marianne is commissioned to paint the wedding portrait of Héloïse, a young woman who has just left the convent. Because she is a reluctant bride-to-be, Marianne arrives under the guise of companionship, observing Héloïse by day and secretly painting her by firelight at night. As the two women orbit one another, intimacy and attraction grow as they share Héloïse's first moments of freedom. Héloïse's portrait soon becomes a collaborative act of and testament to their love. Rating: R (for some nudity and sexuality) Genre: Directed By: Written By: In Theaters: Feb 14, 2020 wide Runtime: 119 minutes Studio: NEON Cast News & Interviews for Portrait of a Lady on Fire (Portrait de la jeune fille en feu) Critic Reviews for Portrait of a Lady on Fire (Portrait de la jeune fille en feu) Audience Reviews for Portrait of a Lady on Fire (Portrait de la jeune fille en feu) There are no featured reviews for Portrait of a Lady on Fire (Portrait de la jeune fille en feu) because the movie has not released yet (Feb 14, 2020). See Movies in Theaters Portrait of a Lady on Fire (Portrait de la jeune fille en feu) Quotes News & Features.

Portrait De La Jeune Fille en œuvre. This was posted on my birthday! Awesome. I do agree with my mexican compadre (i'm mexican too) it is one of the best films i've ever seen. Why does she have #28 on her hand? It makes me so soft 🥺. Portrait De La Jeune Fille En feu vert. Portrait De La Jeune Fille en ferme.

Portrait De La Jeune Fille En feu d'artifice. This film is a luxurious feast for the eyes. Even single shot is fantastic, the colour choices were amazing, there is a great balance between the primary colors and the red and green dresses of the protagonists really bring a lot of power and life to the movie. The wide shots of the sea are gorgeous and the sound design is so well-done, The sound of the waves and the footsteps add so much to the experience. The camera work is brilliant. The way they director has set the camera in the drawing sequences is really clever and aesthetically nice, as it is maintained in the whole film. The whole film has a great personality and atmosphere, one that made it really interesting to watch and I definitely want to rematch it.
The actresses did a really great job. Their expressions and reactions feel so real and there is the protagonist's eyes are gorgeous and so captivating, It is not a plot-oriented film, but the plot actually manages to be really good, though it is probably the films weakest element,
The dialogues, especially during the first half, were so cleverly written and brought out both emotion and things to thing about, It is a film that is basically a love story, but manages to talk about the position of women during that particular are, how their whole life was designed by others so they want to meet other ideas and emotions, like how does music feel or what is love, what is freedom, is freedom a state of living that we can have forever?

My only bag with the film would be that the actual story is kind of a ripoff of other films that talk about love? For instance, I felt that it actually had the same story with Call me by your Name, a film which I really really love. Two strangers meet and fall in love, they keep it as a secret and time is the story's enemy. There is an actual scene where the characters say they lost time and should have been together earlier and there is a similar piece of dialogue in CMBYN, so I felt that it was not such a breathtaking story, although i was never really bored and the relationship between the character was explored nicely.

There are a lot of beautiful shots and scenes in the film, one of them is in the poster and really brought a sense of joy to my heart, there is a scene where the characters are playing cards and it feels so real and fun, the painting scenes were lovely and the last scene is actually perfect and the acting in this scene is phenomenal.
Watch this film, it has a beautiful scenery and tone and I give it an 8/10
I might give it a 9 but that is not the point
This is a beautiful film.

Supposedly these lyrics are based on some Nietzsche's quote: The higher we soar the smaller we appear to those who cannot fly. Sciamma translated and adapted it to latin for the bonfire scene. Elle fume du schit ! En tout cas cette Adèle là, c'est autre chose que les saloperies d'une autre Adèle manipulée par un malade, une ordure qui confond réalisation cinématographique et porno. Bravo, amazing Women You are GREAT. I want to drown in this film! Such a masterpiece🥰😍. Is Adèle stimming at the beginning or it's just me.

J'ai rarement vu un interview aussi risible, que ce soit celui qui pose les questions ou celle qui répond (certainement que le second découle du premier, néanmoins il y'a toujours moyen de relever le niveau lorsqu'on a les capacités. Filme belíssimo. Réalisatrice hors du temps pour moi. Ce film est juste magiquement phénoménal.





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キNo Sign Upサ Pati Patni Aur Woh Movie Stream Rated 8.9 / 10 based on 344 reviews.

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  • Creator: ugly fat dwarf
  • Resume: 21, Nerd, Introvert, Studying to reads minds, Feminist killjoy, Somewhat tired, Sleep enthusiast, I definitely stalk your dog, Addicted to music. Axle's alt.

 

Directed by - Mudassar Aziz

year - 2019

Ananya Panday

Rating - 6,7 of 10

Country - India

Pati Patni Aur wöhler. Pati patni aur woh 21. Pati Patni Aur Woh Movie Synopsis PATI PATNI AUR WOH is the story of the adventures of a cheating husband. Abhinav aka Chintu Tyagi (Kartik Aaryan) tops in his exams and secures a comfortable job in the PWD department in his hometown Kanpur. His parents (K K Raina and Navni Parihar) compel him to go for PATI PATNI AUR WOH is the story of the adventures of a cheating husband. His parents (K K Raina and Navni Parihar) compel him to go for arranged marriage. He meets Vedika Tripathi (Bhumi Pednekar) for this reason. Sparks fly and they both get married. They even shift to their own house. Three years pass. A bit of boredom kicks in for Chintu. His parents taunt him for not having a child. Vedika meanwhile wants to shift to Delhi for a better life and she leaves no chance to diss Chintu for being content in his cocoon in Kanpur. In the midst of all this, Chintu one day meets Tapasya Singh (Ananya Panday). She comes through a reference to seek help for setting up a boutique in Kanpur. Chintu is given the opportunity to help her select a good plot. Chintu gets smitten by Tapasya and starts spending time with her. Tapasya finds out about his marital status. Afraid that she might stop meeting him after knowing that he has a wife, Chintu lies to Tapasya that he’s in an unhappy marriage and that his wife is cheating on him. Tapasya feels bad for Chintu and slowly even she starts to like him. All is going well for Chintu until one day Tapasya finds out the truth. What happens next forms the rest of the film. Read more.

 

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Pati patni aur woh full movie download. Pati patni aur woh review. Pati Patni Aur world. Expressive and Impressive acting + Superb dialogue delivery + Rational
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At first time by hearing I can't even Express 😍😍😍. Sorry Ananya but these cmnts are very funny😂😂.

 

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Only Argit Singh is original singer and all others are remake singers

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Presenting the full video song from the Bollywood movie, Pati, Patni Aur Woh, Dheeme Dheeme in the voice of Neha Kakkar & Tony Kakkar. Composed by Tanishk Bagch... i. Gulshan Kumar & B. presents a T-Series Film in association with B. R. Studios, "Pati Patni Aur Woh" a romantic comedy film directed By Mudassar Aziz and Produced By Bhushan Kumar, Renu Ravi Chopra, Krishan Kumar. The film is a remake of the 1978 film of the same name and is starring Kartik Aaryan, Bhumi Pednekar and Ananya Panday in lead roles along with Aparshakti Khurrana in supporting role. Song - Dheeme Dheeme Singers - Tony Kakkar, Neha Kakkar, Music - Tanishk Bagchi, Tony Kakkar Programmed and Arranged by - Tanishk Bagchi Lyrics - Tony Kakkar, Tanishk Bagchi & Mellow D Mixed and Mastered: Eric Pillai at Future Sound Of Bombay Mix Assistant Engineers - Michael Edwin Pillai Music Label - T-Series Directed By Mudassar Aziz Produced By Bhushan Kumar, Renu Ravi Chopra, Krishan Kumar Creative Producer: Juno Chopra Dop - Chirantan Das Co-Producer (T-Series) - Vinod Bhanushali President Global Digital Business And Legal (T-Series) - Neeraj Kalyan Senior Vice President Films (T-Series) - Shiv Chanana Screenplay & Dialogues - Mudassar Aziz Adaptation Of Orignal Script - Jasmeet K Reen Editor - Ninad Khanolkar Costume Designer - Niharika Bhasin Sound Designer - Arun Nambiar Production Design - Tariq Umar Khan.

Pati Patni Aur. No view 14 likess 😅😅. Hame bhi sex bahut pasand. Apply Language Selection Please select the language(s) of the music you listen to. Pati Patni Aur Woh Songs Pati Patni Aur Woh movie songs are a recent release which is making the audience dance and sing along to the tunes of their songs. All these songs are from the movie Pati Patni Aur Woh, a romantic comedy film starring Kartik Aaryan, Bhumi Pednekar, and Ananya Panday in the lead roles along with Aparshakti Khurana in the supporting role. This film is a remake of the 1978 film Pati Patni Aur Woh. 4 movie songs from this movie are released by T-Series in November 2019. All these songs are voiced by some of the famous singers from the music industry. Neha Kakkar, Arijit Singh, Tony Kakkar, Sachet Tandon, Mika Singh, Tulsi Kumar are to name a few. The movie songs in this film are Dilbara, Dheeme Dheeme, Tu Hi Yaar Mera, and Ankhiyon Se Goli Mare. All these movie songs are composed by Tanishk Bagchi and Tony Kakkar. Download and listen to high-quality Pati Patni Aur Woh movie MP3 songs online on.

What is the song playing at 13:17 ? please let me know. Videos Learn more More Like This Comedy | Drama 1 2 3 4 5 6 7 8 9 10 7. 6 / 10 X Two couples with the same surnames pursue in-vitro fertilization and wait for their upcoming babies. Trouble ensues when they find that the sperms of each couple have been mixed with each other. Director: Raj Mehta Stars: Akshay Kumar, Kareena Kapoor, Diljit Dosanjh Action Crime 7. 7 / 10 Shivani Shivaji Roy is back and this time she's on the trail of a 21 year old merciless villain who targets women. Gopi Puthran Rani Mukerji, Vishal Jethwa, Shruti Bapna 7. 5 / 10 It tells the story of a man who is balding prematurely and how he copes up with the situation. Amar Kaushik Ayushmann Khurrana, Bhumi Pednekar, Yami Gautam History 5. 9 / 10 The film is based on the third battle of Panipat which took place on the 14 of January in 1761 between the Marathas and the King of Afghanistan, Ahmad Shah Abdali. Ashutosh Gowariker Arjun Kapoor, Sanjay Dutt, Kriti Sanon Thriller 6 / 10 Karan goes to London to stop a terrorist attack on India. Aditya Datt Vidyut Jammwal, Adah Sharma, Gulshan Devaiah 7. 3 / 10 Chaman Kohli is 30 -year-old bachelor with Premature Balding and in quest of a beautiful wife. Chaman hits rock bottom when an astrologer gives him a deadline to find himself a wife or remain a celibate forever. Sunny Singh Nijjar, Maanvi Gagroo, Saurabh Shukla Romance 7. 2 / 10 Rom-com Movie, directed by Raaj Shaandilyaa, stars Ayushmann Khurrana who plays a 'dream girl'. In every love story, there is always one trying to win the heart of the other, who could be the 'dream girl'. Raaj Shaandilyaa Nushrat Bharucha, Annu Kapoor 6. 5 / 10 An Indian soldier chases after his mentor who has gone rogue after an unexpected kill. Siddharth Anand Hrithik Roshan, Tiger Shroff, Vaani Kapoor Biography 8. 4 / 10 Tanhaji Malusare, a military chieftain in the army of the Maratha king Shivaji, leads the charge to capture the strategically important Kondhana fort guarded by the army of the fierce Rajput chieftain Udaybhan Rathod. Om Raut Ajay Devgn, Saif Ali Khan, Kajol 6. 2 / 10 Story of Failed Gujarati Businessman, who jumps into unknown world of China to get once in a life time business idea, which will change his life. Mikhil Musale Rajkummar Rao, Boman Irani, Mouni Roy 8. 3 / 10 Both over the age of 60, Chandro Tomar and Prakashi Tomar inspire other women in India when they demonstrate their expert sharpshooting skills. Tushar Hiranandani Taapsee Pannu, Prakash Jha 8. 2 / 10 A celebrated Bollywood director Rohan Khurana stands accused by a female member of his crew, Anjali Dangle of having raped her at his residence. Ajay Bahl Akshaye Khanna, Richa Chadha, Meera Chopra Edit Storyline Chintu Tyagi is an ordinary, middle class man who finds himself torn between his wife and another woman. Plot Summary Add Synopsis Details Release Date: 6 December 2019 (USA) See more  » Also Known As: Pati Patni Aur Woh Box Office Opening Weekend USA: $422, 960, 8 December 2019 Cumulative Worldwide Gross: $6, 712, 525 See more on IMDbPro  » Company Credits Technical Specs See full technical specs  » Did You Know? Trivia This movie is loosely based on same title movie released in 1978. See more » Goofs At beginning of movie the narrator's says that Abhinav has punched female cop but in reality he punched a male cop. See more » Connections Remake of Pati Patni Aur Woh  (1978) See more ».

Hit Like For Arijit Singh. Pati patni aur woh public reaction. A movie set on the typical middle class family a small City set-up.
The first half is a bit slow and patches of getting bored, 2nd half makes up for the first half is a mix of drama and comedy. Anannya Pandey has done a good job. Aparshakti Khurranna has done a splendid job great acting, wits and all.
Watch out for WOH(SUNNY SINGH. the typical Kartik Aryan dialogue. Pati patni aur woh wiki.

 

 

 

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Coauthor - Thomas Clements
Bio: Autism advocate. Multilinguist. My book ‘The Autistic Brothers’ is available to buy on Amazon:

/ duration: 2 H, 9 m / rating: 254 Votes / abstract: When a museum celebrating the Ku Klux Klan opens in a small South Carolina town, the idealistic Reverend Kennedy resolves to do everything in his power to prevent racial tensions from boiling over. But the members of Kennedy's congregation are shocked to discover that his plan includes sheltering Mike Burden, a Klansman whose relationships with both a single-mother and a high-school friend force him to re-examine his long-held beliefs. After Kennedy helps Mike leave behind his violent past, the Baptist preacher finds himself on a collision course with manipulative KKK leader Tom Griffin. In the face of grave threats to himself and his family, the resolute Kennedy bravely pursues a path toward peace, setting aside his own misgivings in the hopes of healing his wounded community / creator: Andrew Heckler / genres: Drama.

What is White man's burden. Burden in spanish. Burden in my hand soundgarden. Its ok to be white. Algoritmo 2.4 burden. Killin homie 💯 💰 straight to the top homeboy💪💪😎🛫. When did Hugh Burden die. Everything from now on is extra. Good shit! Im rocking with it. Burdened. What is a burden. I'm glad Richards and Jagger bumped into each other on that train when they were teenagers. When was Burden Brothers created. The impact of domestic debt burden on agricultural sector in nigeria.

Tattooed a bass clef with a rose representing Lexxi Foxxx. Level 1 Are you me?? I was so jealous of all the other blissfully ignorant people. level 2 As far as it is translated correctly 83 points · 5 days ago As a missionary, I tried my best to make sure those blissfully ignorant people would be baptized and then weighed down with the shackles of the Mormon know, just to share the love around. level 2 Same. I grew up outside of Utah and I was too young to figure out how to navigate friendships level 1 As a kid I wished I found the church when I was old and not baptized at 8 lol level 2 I always wondered how it was fair that some people got to live a long time doing what they want before joining the church while the rest of us who are born into it have to be good our whole lives. level 2 I found the church when I was old (17) and still got baptized. level 1 It's a double whammy because then you feel guilty of that jealousy, or that maybe you're inherently evil for wanting normal things. I know that I personally felt like I would be letting the universe down if I didn't serve a mission. level 2 The further one goes, the less one knows. --Laozi 29 points · 5 days ago Jeezus, yeah, that's what I was gonna say--the guilt on top of the burden of having the Truth™. level 2 Yep.... This self-denial, followed by shame and guilt for even having the denied feelings in the first place are probably why I have a profound sense of "I'm horrible" and feel like I have to thank anyone who spends any time with me at all. level 1 Or the similar thought that I wanted to die before I was baptized, cause I would be guaranteed the CK. level 2 I had the exact same experience. In the weeks leading up to my 8th birthday I would pray every time that I got in a car, that we would crash and I’d be killed so that I never had to be baptized. In my mind an early death was more acceptable than the fear of not making it into the CK A forum for ex-mormons and others who have been affected by mormonism to share news, commentary, and comedy about the Mormon church. Reddit Inc © 2020. All rights reserved.

 

Damn that line takes me eeping with my shoes on, tied tight just incase i gotta bounce I used to do the same shit. I finally left that life behind moved out the hood but I still sleep with my clothes on. just in case, i tell myself. The truth is like that old saying you can take a man outta the hood but you can never take the hood outta the man. I guess some shit just sticks with you. Who weekly epidemiological record 2017 cholera burden. Great track 🔥🔥 the video contains a serious message damn guys! 😸Torture tactics ☠️☠️👻. Chinua achebe view to white man's burden. What is jim burden in your Antonia.


This is a remarkable story of a man's redemption and those who made it possible through courage and love. There are elements, including the name of the central character and an ironic twist that would seem like artifacts of a writer's mind, but they were not- real people, the events that happened to them, and how they chose to respond to those events, provided a story that called out to be told. Writer/director Andrew Heckler does an amazing job telling the story and the cast is terrific.
Poster for the team drug is a burden to the world.
Love the soul he puts in his music.

I remember hearing this song, and never realized that, at 65 years old, I would enjoy listening to it even more. I didn't know Chris Cornell had passed away, and my heart fell right through the floor. Rest in one of the BEST vocalists ever. Beast of burden cda.

Back when the weapon was originally released in black armory, it really had no place in the meta because of all the auto reloading mechanics that were making grenade launchers and other weapons completely unrivaled in pve. With auto-reloading being removed, this weapon really shines. Has incredible burst damage on single targets and the catalyst makes it even more deadly. I’ve been using it to farm the new nightfalls, and it’s been extremely effective against unstoppable ogres, champions and the boss. Burden prevalence or incidence of shoulder pain in nigeria. When was Carter Burden born. My favorite song by you❤️❤️❤️. 🔥 He's so sexy, I just got out of a relationship exactly like this 😡. Burden lyrics. How was the white man's burden racist.

He always nails it. The feeling of when them boys come snatch your ass up. Struggle and jelly roll forever. What is an antonmy for burden. People are out here complaining that Bernie's plan will "kick people off their insurance" while cancer patients get fucked because of the profit motive behind our system. It's more financially viable for them to flip you the bird because you're more at risk. And apparently some people are actually not okay with just being covered instead of paying a company to not cover everything and shave some off the top, while simultaneously telling you what doctors you can and can't go to and they call it a "choice". I'm not trying to make this about politics but I'm pissed that the US has drunk the Kool Aid that industry brews. Also, under Bernie's plan your medical debt would be covered. I'm already a supporter (and not affiliated with the campaign besides having donated to it) but, just so you know if you're from here and considering a candadite. Sorry if I'm pitching pretty hard here, I'm very passionate about this issue.

Burden of the badge. What does no significant stool burden mean. 1. Days are filled with sorrow and care, Hearts are lonely and drear. Burdens are lifted at Calvary, Jesus is very near. CHORUS: Burdens are lifted at Calvary, Calvary, Calvary; Burdens are lifted at Calvary, Jesus is very near. 2. Cast your care on Jesus today, Leave your worry and fear. Burdens are lifted at Calvary, Jesus is very near. 3. Troubled soul, the Savior can feel Every heartache and tear. Burdens are lifted at Calvary, Jesus is very near.

Amazing! Loved this. Burden meaning. I tell me I got it for the 26 out that way. Wait this song was only almost 5 minutes long? I must've lost myself, it felt like an eternity of bliss and nostalgia... And before u say im biased i listen to classical and metal and rap and almost. Basic & Burden are the realest rappers on the come up. Definitely cant wait for more. White mans burden in the south Texas.

Use burden in a sentence. Thiss one of the best series, by orders of the peaky fooking blinders. Burden of truth season 1. Im your number one fan bud, aint no denying that 💯💯💯💯.

Still my favourite artist loved seeing him at Liverpool Irish music festival last year. How did white mans burden affect Europe. Burdened crossword. Is taxation a burden or duty. Write burden in a sentence. Will CCE increase or decrease student's burden. Переводчик Словарь Контексты Формы слова Тематика: Перевод: x бремя burden   [ˈbə:dn] Существительное burden / burdens burden / burdened / burdened / burdening / burdens Словосочетания В толковых словарях Оценить перевод Поделиться переводом Подождите, пожалуйста... Прямая ссылка на перевод: Предложите свой перевод Ваш вариант перевода:.

Sends chills down my spine🔥🔥I feel the real in this💯. Burdensome add topic. Hymn/ cast thy burden upon the lord. How can smoking cause a financial burden. Which state has the heaviest tax burden. First thought when I heard burden he need to be bwa. Burdenko. Opeth 💔. This is undoubtedly an absolute masterpiece. One of the greatest songs by Opeth. This is exactly what ive been thru feel this shit its real thats why you can feel it🔥🔥🔥🔥🔥🔥. The burden of cholera in africa have been underestimated. Shout out to everyone who loves getting high. You are not alone. What is the synonym for burden. Burdensome. Burden on my heart boosie. I fight myself everyday between burden doobie basic man I love burden and his story big love bro #doobieheads proudly supports burdenworld also bro check us out.

Y would he throw the chopper with the body haha. Take up the black man's burden interpretation. What nation has the lowest tax burden. Because the Cubans, Filipinos, and other Latin Americans came from both natives and European Spaniards. So they're mixed. Argentina, for example, is a much less mixed race. There's a lot of white supremacy in Argentina, as a result, when compared to a country like Brazil, which is super racially diverse. Is knowledge a burden or a benefit sat essay.

 

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user rating - 7,8 of 10 Stars

Genre - Comedy

USA

Review - Bad Boys for Life is a movie starring Will Smith, Martin Lawrence, and Vanessa Hudgens. The Bad Boys Mike Lowrey and Marcus Burnett are back together for one last ride in the highly anticipated Bad Boys for Life

Release Date - 2020

I love Anthony Hopkins… from silent of lamb to the two popes loool. 8:19 Hello darkness my old friend XD. Can we talk about the movie, pleaaase. 🤔☹️🙄. Booked on sunday 👍👍🏻. The guys adil and bilal bought a range rover in my city in belgium, just 200 meters from my house lol.

 

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Patrons are awesome, and are one of the coolest parts of playing a Warlock. As a DM, I think it’s important to have a unique, specific goal that the patron is trying to achieve in making a pact--one that the Warlock may or may not buy into. Not only does this make your Fiendlock different from every other cultist to Asmodeus, but it gives you a clearer sense of factions and plotlines in your game world. On the other hand, why should Warlocks get all the fun? The idea of a “patron”--a powerful NPC that makes a deal with player characters--is far more broadly applicable than the sheer mechanics of “cast Eldritch Blast” and “have invocations. ” A patron/PC relationship can be added to the mechanics of any class to give it a unique flavor and bring new factions into your game. With that in mind, here are some specific patrons for various pacts, as well as ideas for integrating them for warlocks and non-warlock alike. FIEND Ordenzamor, the Endless Hunger ”Come a little closer, mortal, so that we may speak properly. I promise you: I don’t bite. ” Chained to the bottom of a pit, bone-thin and red-eyed, this snarling demon seeks only to devour--and wants to find a mortal willing to help. A clever, vicious glabrezu who was once a prized fighter of Demagorgon, Ordenzamor enjoyed the game of being summoned to the Material Realm and tricking or murdering those foolish enough to summon him. This continued for centuries until he was summoned by a mysterious archmage, more powerful than any he had met before. Instead of using him or freeing him, however, she merely imprisoned him within her tower with high-level magic. She came every few days to question him about the Abyss, then every few weeks. And then, abruptly, she never returned. The rest of the tower fell into decay over centuries, but Ordenzamor survived due to his high constitution. All that time he has hungered, his clever mind trapped in a starving body. When adventurers come across him, he seeks to devour souls and may attack them on sight--but if they survive, he is still lucid enough to see the value in making pacts. Pact of the Blade: Ordenzamor himself infuses the blade, consuming the souls of his victims. No matter the form, the blade never tarnishes, and the blood of its victims seems to be sucked into the metal itself. Pact of the Tome: Offerings can be made to the book itself; when Ordenzamor wishes to communicate with the Warlock, a toothy maw appears on one of the pages and speaks. Pact of the Chain: A lesser servant of Ordenzamor joins the warlock, constantly hungering. Anything this familiar consumes is sent directly to Ordenzamor's own stomach. Other possible classes: anyone who might be tempted into making a pact to obtain a powerful magic weapon at a price. No Warlock levels required. Mydianchlarus, the Record Keeper ”Your assignment begins tomorrow. If you have any concerns or comments, feel free to address them to Mortal Resources and allow five to six business years for processing. It’s a pleasure to have you aboard. ” Mydianchlarus is an ultroloth, the ultimate bookkeeper of the Lower Planes. Maintaining a plane-spanning mercenary company, Mydianchlarus' men can be sold to the highest bidder. Warlocks of Mydianchlarus gain their knowledge and power according to a strict payout system; perform the jobs that the company tasks you with, and eventually you receive payment in the form of new spells and abilities. Refuse, or do the job poorly, and you are no longer allowed to take a Warlock level until your situation has been rectified. Warlocks of Mydianchlarus rarely report to him directly; instead, they deal with lower yugoloths in the HR and contractor-handling departments. Pact of the Tome: A strict ledger in which the warlock lists expenses and tasks completed, and through which instructions are received in clear, unambiguous language. Pact of the Blade: A standard, unassuming weapon appears in hand. Each time the warlock summons a weapon, it appears slightly different--two longswords might have different hilts, styles, ages, or length of blade, and different serial numbers on the bottom. Every time, they’re actually requisitioning a different one from the company’s armory. Pact of the Chain: A lesser entity of the Mydianchlarus' organization is sent to monitor the warlock's progress, either as part of a probationary period or random performance reviews. GREAT OLD ONE Caiphon, The Dream Whisperer, That Which Calls from the Stars ”Our reports indicate similar images from independent sources around the nation. A violet star, whispers beneath their consciousness. Promises of wealth, power, knowledge in return for finding these ‘seeds. ’ So far, nobody has died or suffered from reporting these dreams. But we’re not as worried about those who came to us with their concerns. What I fear most is the people who listened. ” -Watchmaster General’s Report, 743 ABG, addressed to the Ars Arcanum of Eramor. Letter discarded before arrival. Nobody has ever seen Caiphon up close; the closest they get is seeing a purple star in the skies of their dreams as they stand out on an open field. Should a warlock gain enough knowledge to actually be worthy of Caiphon's attention, their dreams shift to the purple planet itself; a place of infinite pain, an endless sea of violet gelatin that clings to their feet like quicksand. Horrid creatures and objects of all types rise out of the mush, each screaming its own tune in an endless cacophony. These sounds make up Caiphon's voice, which resonates through the entire planet when you're on its body. When Caiphon wishes to speak more directly, the warlock is brought into a war zone between these strange creatures, with random people and animals stopping to deliver commands before returning to their endless carnage. What does Caiphon want? It whispers in the dreams of many at once, seeming to demand penance or sacrifice. Those that are swayed by the promises of blood and strength perform rituals and are often rewarded with purple seeds to spread across the world. Those who refuse are hunted down and corrupted by the purple goo, becoming part of Caiphon’s growing body on the planet. Caiphon seeks to extend its reach to all the planes in existence, gradually corrupting them all with its purple seeds. All minds and memories belong to Caiphon, in the end. Pact of the Tome: A dream journal--that is, a journal that appears even in the warlock’s dreams, containing images and sensations from Caiphon. Pact of the Blade: A twisted weapon that seems to glisten with a purple sheen. When it strikes a critical hit, a distant scream can be heard. Pact of the Chain: A tiny creature corrupted by Caiphon’s slimy essence is committed to the warlock’s goals. When it reforms, slime twists up from the ground to create its body. Other possible classes: Anyone. My take on Caiphon originally came from wanting to play a bog-standard farm-boy Champion Fighter with the WEIRDEST horror-mystery plotline. Good for anyone who just wants to get strange. Acamar, The Endless Eternal, That Which Came Before "If you're reading this, then it means you're here for a reason. Our Lord’s endless designs have brought you to this place, and my death will have been vindicated after all. Note these words carefully then destroy this stone. 7134 Eramor Kingsway. Rusted blade. Homecoming. Falling crown. Traveling Cloak. Rajan Suul. Seek the leaping crow. “ -Scrawled in blood deep within an underground cave long since overrun by ankhegs. Introduction translated from an archaic form of Dwarvish, popular about seven hundred years ago. Code words written in modern Common. Nobody knows where Acamar came from or why; some say it was the god before the gods, while others knew it as the elemental chaos itself. Either way, Acamar's arcane foresight was second to none; it could see thousands of years into the future, setting in motion plans that would not come to fruition for centuries. Through this, it evaded destruction from other entities. Eventually, it took all the might of every god in the pantheon to overcome Acamar's powers and slay it once and for all, eradicating it from the world. But this, too, was foreseen. Thousands of years later, the chain of events set into motion by Acamar's foresight still continues. Warlocks find hidden tomes of knowledge at precisely the moment where they are most vulnerable, and continue along the path. While it is said that Acamar can be wrong on a small, day-to-day scale, nobody has yet been able to prove so definitively. Warlocks continue to find obscure spells and knowledge in seemingly random locations--written in claw marks on a stone wall, a piece of parchment in a long-lost scroll case, within the bowels of a slain beast--indicating that they are still part of Acamar's designs. Acamar cannot be killed, because it is already dead. Its plans--to be returned to life and consume the world--seem as inevitable as entropy itself, but players might find themselves facing off and trying to break the cycle. Pact of the Tome: A seemingly random book from a local library, with bits and pieces scribbled upon it from ages past, prophecies that only become apparent in hindsight. As the PCs progress, more pages are found in the same style around the world, and can be bound into the book. Pact of the Chain: Ancient knowledge has provided the warlock with a forbidden manner of casting Find Familiar; their spirit is one that has not been awoken in centuries, but may be just as clueless about Acamar’s goals as anybody else. Other possible classes: Divination Wizard, Aberrant Mind Sorcerer, anything Psionic. Really, anybody who wants an explanation for “learning” new class features can use Acamar. ARCHFEY This, perhaps, is where pacts should absolutely go beyond mere Warlocks. Several classes have a ton of Feywild flavor; Glamour Bards, Dreams Druid, Wild Soul Barbarians, Oath of Ancients Paladins, Eldritch Knights and Enchantment Wizards to name but a few. Roselie, Lady of Gardens ”It was impossible not to fall in love with her. Straw-colored curls fell down to frame an impossible delicate face, with eyes bluer than a midday stream that seemed to pierce into your very soul. Where she walked, grass grew beneath her feet. Where she drew her fingers, flowers blossomed. Birds chirped and honeybees buzzed, and I knew at any moment she could say the word and every creature in her garden could eat me alive. ” Roselie is an Archfey of the Summer Court, representing growth and nature and freedom above all. Though sweet and kind as summer, she understands little about the mortal world. She seeks, above all else, to share the seeds of her garden with the world and to receive new plants from all over. Her warlocks tend to be in tune with nature and admirers of natural beauty--others are desperately in love with her, and hope to win her affection by showing her the greatest beauty that the Prime Material has to offer. Pact of the Tome: A book in which the PC can press flowers and other plants they come across in their travels, and document the life they see. Pact of the Blade: A scythe, kukri, or shears. To grow, some limbs must be pruned. Pact of the Chain: A ditzy fey familiar joins the PC, fascinated by every aspect of the Material Plane and liable to get them in trouble. See: Toot-toot from the Dresden Files. Other possible classes: Druids and Nature Clerics come to mind, as well as nature-themed Fighters or Rangers. Mab, Queen of Air and Darkness, Mistress of the Winter Court “I only ventured once into the Court of the Unseelie, to meet with the Queen herself. I knelt before her, shivering despite my cloak, begging for power as the beautiful bone-white fey watched me in their ball gowns and suits. She ordered me to stand and face her, and I did. It is impossible to do her appearance justice. I wanted to grab her and take her right there, but I also wanted to run screaming and cover my neck. She was delicate as a sculpture of ice, and forceful as a raging blizzard. I accepted her power and now serve her will, but I will never go back. Not because I’m afraid of dying, but because I’m afraid I might never leave. ” Where the Summer Court represents the playful, wild side of the Fey, the Winter Court marks the other half of nature: predation and survival. As Mistress of the Winter Court, Mab is as beautiful as she as deadly, with porcelain, snow-white skin and coal-black eyes. She demands service to the Court and a loyalty to the ideals of Winter. The Winter Knight takes many forms, but Mab expects strength above all. Pact of the Tome: A spellbook written entirely in Sylvan, this book is always icy-cold to the touch. Pact of the Blade: Winterbrand, a blade made entirely of exquisitely-carved ice. Pact of the Chain: A small spirit of the Winter Court joins as the Warlock’s vassal. Consider taking the Tomb of Levistus invocation. Alternatively, consider using Mab as a Hexblade patron, reflavoring the Hexblade’s Curse as an icy hex. Cone of Cold and Shield fit right in, as well. Taryn Eversong, Knight of the Silver Lyre ”It has been thirty-four years since I visited the satyr in the Wyldlands of the Fey, seeking skills beyond mortal limits. And though I play and play and play, I can still hear his song, rumbling in my chest like an old friend. ” A gorgeous, shirtless satyr of the Wyldfae who always strums a glimmering lyre, Taryn is known as one of the greatest artists in all the realms. Singer, musicians, poets and artists seeking beauty in the Feywild often petition him to enhance their skills, and he is more than happy to oblige. He delights in patronizing artists and seeing their reputations grow, using their power and renown in his own attempts to secure a high position in one of the Fae Courts. Pact of the Tome: A songbook full of Taryn's greatest hits, covered in scores of music and half-finished lyrics for the PC to toy around with. Pact of the Blade: A curved, silver blade that doubles as a tuning fork; it hums a pure tone as it swings, and breaks out into a gorgeous harmony upon striking with a critical hit. Pact of the Chain: A tiny fey backup singer joins your party. Enough said. Other possible classes: I mean, Bards. Every kind of Bard. Glamour Bard, specifically, but every kind of Bard. CELESTIAL I don’t have specific ideas for pacts for these guys. But they’re still damn fun. Adiel, the Gambler ”If I’m being honest, I’ve had about enough of devotees singing praises to Bahamut. I mean, we get it. Honor. Law. Striking down evil wherever it is found. Here’s the tricky bit: every evil worth striking is perceptive enough to see those guys coming. That’s why I chose you. ” Among all the other angels, Adiel is singled out as being a bit of a daredevil. The others are Lawful Good to a fault, seeking those who can spread their message of peace and goodness though worship of deities. Adiel has spent time on the mortal world, however, and knows firsthand that things are more complicated. As a result, he has struck a deal with the PC whom he knows to be flawed, and sometimes willing to walk the riskiest path--more important, someone who does not loudly worship the ideals of his god. He has taken a gamble on you to achieve some purpose, and can only hope that his warlock follows through. Adiel appears as an impossibly handsome, winged, dark-skinned man in white robes. By his nature, he can only have limited interaction with his chosen mortal so as to avoid drawing attention to them--both from his god and from others. As a result, he tends to communicate in short bursts during dreams, guiding the path but never outright sharing his goals with anybody. Sparklefoot, the Unicorn of Redemption ”Oh, man, looks like you're in a tight spot. Those knots around your wrist are top-notch. These thugs aren’t messing around, huh? I'd tell them where the contraband is, if you want to live. What do you mean the boss didn't tell you? That's not--ouch, yeah, that looked like it hurt. Good thing you don't need your pinkie, right? At least, that's what you told poor old Mrs. Broadwell when you were shaking her down for fifteen silver last week. Oh, they're jumping right to kneecaps. I’ve got good and bad news. Bad news, they're starting to believe you don't know where the shipment went. Good news, the constables will be here in about ten minutes to pick up your corpse. ”Now, maybe I can help with that. How's about we make a deal? " A glorious unicorn that leaves rainbows in its wake, Sparklefoot seeks evildoers in their darkest moments. She makes a deal with them right before death, strongarming them into accepting the path of righteousness in exchange for magical powers. Some of these criminals and lowlives accept, and are subsequently indebted to Sparklefoot, who commands them to do good and heal. Warlocks of Sparklefoot find themselves adhering to tenets of healing and honesty despite their natural inclinations. Additionally, once every year the warlock must attend to a specific quest from Sparklefoot without question. Over time, these warlocks might find themselves beginning to see Sparklefoot’s way of approaching the world. Others rebuke the gifts given, only to realize that Sparklefoot has more leverage on them than they might think. Thanks for reading, and I hope this can be helpful for your own games! If you liked this, you may enjoy some of my other work: Philosophy/Theory of Conjuration | Illusion | Enchantment Alternative Afterlife The Draconic Pantheon The Order of Tarnished Silver Magehaven, the City of Refuge Detritus: The Plane of Refuse.

 

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Les Misérables: The Staged concert. I saw this last night, it was brilliant. Maravillosas voces, parecen ángeles. Les misérables: the staged concert. X. Lovely, as per. x. Tant qu’il existera, par le fait des lois et des mœurs, une damnation sociale créant artificiellement, en pleine civilisation, des enfers, et compliquant d’une fatalité humaine la destinée qui est divine; tant que les trois problèmes du siècle, la dégradation de l’homme par le prolétariat, la déchéance de la femme par la faim, l’atrophie de l’enfant par la nuit, ne seront pas résolus; tant que, dans de certaines régions, l’asphyxie sociale sera possible; en d’autres termes, et à un point de vue plus étendu encore, tant qu’il y aura sur la terre ignorance et misère, des livres de la nature de celui-ci pourront ne pas être inutiles. 1 [Préface] Hauteville-House, 1 er janvier 1862 1 [English] In order to avoid too many notes from part of the editor, emphases in italics as well as words in Chinese (simplified Mandarin), Cyrillic, English, French, German, ancient Greek, Japanese and Latin that belong to the original text have not been indicated. Hereafter, translations from/to Chinese (simplified), Cyrillic, German and Italian dialects are by the author, from Spanish and, of course, English are by the editor and from French are by both. Expressions in ancient Greek and Latin have been translated unless they are commonly used also in English. Explanations or translation added by the editor to a note by the author are found in a new line under the same note. Both these and translations of texts for which no published English translation exists are indicated with [EN] (Editor’s Note) or [ET] (Editor’s Translation). Foreword I ( First of all it is necessary to briefly elucidate some crucial and quite anomalous characteristics of this work) Differently from my previous publications where every statement was motivated by one or more bibliographical references, in this work willingly there are not many (except for some required passages that could not be omitted). There are several reasons for such a ‘turn’ and I would rather not bore the reader by listing all of them. I will just say that my polemic position toward the Italian (and foreign) world of musicology is one of the main motivations for a change that, not surprisingly, occurred in a particular moment of my life. I will leave the reader who goes over the four parts of this work free to guess the other reasons. Despite the lack of bibliographical references that until now were used to support my texts, the reader will still find anyway a bibliography in the Appendix to Part IV. I feel urged, though, to stress an aspect I care a lot about: in a text on media the essential bibliographical references consists of audiovisual products and the webography. From this point of view, the only hindrance to a research is represented by the availability of a document, exactly as it could happen in any other field of study. Even though the first motivation that brought me to write this essay is about the numerous multimedia versions of Victor Hugo’s novel Les Misérables (1862), Part I will examine phenomena that apparently do not have anything in common with the main subject. However, they have indeed something in common: for example, as far as I know, they have never been either studied in musicological or anthropological terms, neither in other fields close to human sciences. If the reader is willing to read personal and more objective opinions, as it were a sort of parallel tale that might ‘reveal’ some analogies with the main theme, he/she is very welcome. Otherwise, it is possible to skip Part I without missing to the logical understanding of the other Parts (II, III and IV) where Les Misérables is always on the forefront. Here is the subject of Part I: Very successful performances. From kitsch to artistic potentiality. Since the contraposition between kitsch and work of art now seems to be a little bit outdated, it will be necessary to briefly ‘update’ the aesthetic positions on the subject (in the Conclusions to Part IV). Moreover, the four parts of this text are the outcome of a drastic selection aiming, in my opinion, to focus on the most representative features of each genre or kind of show. Finally, a few specific observations: While speaking in Part I about military parades, traditional Russian music, Celtic Dance, military Tattoos, the Johann Strauss Orchestra, etc., the reader will find many remarks on women’s skirts’ length or on female clothes in general. Obviously, this is not due to a form of senile personal obsession. In fact, I think that, especially in military or pseudo-military contexts, the presence or lack of eroticism are ‘weapons’ whose potential has been very well calculated by the high offices of the army as well as by costume directors of other kinds of shows. And I do not think that one needs to be a costume historian to ascertain and underline a simple length. Yet, that length is important because is the hint to other kinds of intentions and, as such, I always pointed it out. Now a confession (the first of a series that will follow). This should sound like a search for comprehension from the part of young and promising scholars around the world. Here it is: although, as a specialist on the XX century I felt obliged to get documented on Rock since its origins on, and despite the fact that this research made me aware of its great importance both in custom and culture, I have never been able to fall in love with it. This work has been realized by a retired Italian musicologist (born in 1944) who taught Music History at the Florence Conservatory (for 35 years) and History of Film Music at the University of Florence and Rome “La Sapienza”. These data mean many different things: for example they mean that paradigmatic and influential figures belonging to my generation — Adorno, Benjamin, Eisler, Eco, Barthes, etc. — nowadays no longer influence anyone. 2 2 Special thanks, in addition to those expressed in the Acknowledgements, goes to Renata Scognamiglio, former student of mine ten years ago in Rome and now highly esteemed colleague and affectionate friend. Being a very accurate and cultivated reader, she critically questioned my work. I agreed with some of her observations and if this text has improved since then I mainly owe it to her. Similar words apply to the editor of this work, Marco Alunno, whose confidence in me never failed. This work aims to have both a didactic function and a pedagogical use. I hope that one day this will be accomplished, but it is not meant to provocatively overturn opinions and productive, well-established and frequently untouchable structures. An analytical work should contribute instead to the creation of a framework within which specialists may discuss with and even confront each other. The latter is undoubtedly a very ambitious goal, therefore let us move on without any expectations regarding its fulfillment. The polemical tone often used in the present work is due to an unjustifiable position taken by many musicologists — especially Italians — starting with those dealing with the XX century. They manifest a prejudice toward phenomena that are extremely important but, perhaps, not ‘sophisticated’ enough to become part of their interests. They seem too often oriented toward epiphenomena that later become themes of eternal debates within a very limited group of specialists. All this might seem obvious or maybe not: it depends upon the freedom of the scholar. Therefore, I will say it more clearly as a musicologist not in line with the others: from the musicologists’ side, especially the most distinguished ones, the cause of a generalized disinterest toward the subject examined here, is their ignorance, in the etymological sense of the word. Consequently, this unleashes a series of prejudices that lead the musicology world to a poor or totally absent attention to events that generates, be it right or wrong, the enthusiastic reaction of a very wide audience — something never seen in the world of educated music. Hence, these events cannot be ignored any longer. Unfortunately, the historiography of the other history of music and performing arts in the XX century (film music, opera in film, musical, musical comedy, radio and television music, that is, the largest part of applied music) will be plenty of gaps. I am not saying that we must speak well about it, but we need at least to speak about it! Along with the lack of an unequivocal aesthetic evaluation — which is frequently implicit, ambiguously implicit (I will not come back on this) — there are two other factors that need a preliminary clarification: I) the persistent carelessness toward applied music on behalf of those who should be its privileged commentators; II) a sort of ramification in a variety of fields of study, namely, an apparently new traversal interest that may be able to overcome the barrier of specialism. 3 3 I say ‘apparently new’ here as I am thinking of the historical vanguard movements of the XX century: Dadaism and Surrealism in France, Holland and, sporadically, other countries; Expressionism in Germany; Futurism, Suprematism and Constructivism in USSR; Futurism in Italy (but different from the Russian Futurism, also not a very clear-cut aesthetic current). For many of these movements, the concept of ‘genre’ seemed obsolete and they showed that both with facts and programmatic manifestos. I. With regard to the persistence of carelessness, we should consider that in cinema alone — and keeping to the main subject of this work — there are something like 70 film versions of Les Misérables, all of them freely inspired to Victor Hugo’s novel. This fact has different meanings, one being the appropriation of Jean Valejean’s story by the masses, and the consequent interest the international production companies have had for it. Once we think that Hollywood in particular, but also many European production companies, have aimed for the show business for decades, it becomes obvious that first it was necessary to ‘interpret’ the audience’s taste. Then, in case of an uncertain indication, it was imperative to ‘educate’ the audience to like a certain genre. In my opinion, one of the most remarkable aspects of this situation is that an essentially mercantilist conception of art did not prevent the United States to produce important films, some of which became milestones in the history of the XX century. On the other hand, it is unquestionable that worldwide audiences have always had a special predilection for historical dramas. It has been even more so in Europe, the United Kingdom and France, mostly thanks to the Romantic mélo to which Les Misérables partially belongs. 4 4 See Emilio Sala. L’opera senza canto, Il Mélo romantico e l’invenzione della colonna sonora (Venice: Marsilio 1995). See also the Éditon DVD 2001, La littérature populaire, une révolution culturelle (XIXe siècle et debut XXe siècle), Collection “Présence de la litterature“ © SCÉRÉN-CNDP, 2008. Two very short excerpts (“Qu’est-ce que la littérature populaire? ” and “L’apogée du mélodrame au theater” are available also in Apple iTunes and iTunes U (in and) (last accessed Jan. 2015). Such an abnormal proliferation of films means that from 1907 to 2012 French directors mainly, but also North-American (of different origins), English, Italian, Scottish, Japanese, Mexican, Arabian, Indian, Turkish and Danish have been attracted to the same story by Hugo. They filmed it for cinema or television and, sometimes, the same production company released more than one version of it. Larry Larson said about the musical-theater version: “In 1985, a translated adaptation [from French] opened at the Barbizon Arts Center in London and later found its home at the Queen Theater in London”. 5 5 Larry Larson, "Les Misérables" - On Stage with Larry Larson, 04/23/2010, Podcast in Apple iTunes (last accessed Feb. 2015). II. Concerning instead the spreading of traversal interests in the study of applied music, let us recall that since the story of Jean Valejean is a drama that somehow can reach all humanity, it has been also the subject of radio dramas, silent films and non-musical sound films with acclaimed interpreters. Such apparently uniform phenomena should then be compared with the realizations on stage, 6 which are also quite varied. Similarly varied are the didactic versions of Les Misérables that are made in Europe (particularly in the UK) and then distributed worldwide, as are the very impressive achievements coming from the Far East and the United States. The globally spread European versions found their counterpart in the numerous North-American (and sometimes South-American) adaptations. Surprisingly, even countries with long traditions in the performance arts such as China, Japan, and countries from the Arabian and African worlds showed interest in Les Misérables. In some cases they did it, though, because they sympathized ideologically with the subject of the novel. This point will be analyzed later on. 6 The reader will understand further on that the expression "on stage"; when referred to the most recent settings of Les Misérables, is used as a convenience. See Part IV. What has been said so far refers to the documentation gathered for this essay and is valid at least up to the famous musical filmed in 2012: a work of Tom Hooper realized with great technical and expressive mastery. The fact that the Academy Award did not appreciate it enough is just another demonstration of how the major film competition in the world is artistically and aesthetically deceptive. Luckily, there are festivals where aesthetical and commercial principles fight against each other. They ignore, as much as they can, both the rules of a still practiced Good Neighbor Policy of Roosveltian nature, 7 and the cultural ethnocentrism applied either consciously or accidentally, which would be even worse. It is better to pass over a very critical — obviously — appreciation of the Academy Award. Let us look at other festivals, instead: for example, as a partial countertrend, one can think to the Berlin or Cannes Film Festivals. There are more festivals that search for a compromise between commercial needs and pure filmic values: Locarno Film Festival, Moscow Festival, the Biennale d’Arte Cinematografica in Venice, etc. The latter has, for example, the merit of having awarded with the Golden Lion important films from Japan — i. e. Hana-bi [Fireworks] by Takeshi Kitano (1997) — and China (although in such an extremely wide and varied country we should distinguish among areas so different as for the language and traditions). The following is just as an example of recent Chinese movies premiered in venues other than Venice: Ba wang bie ji (Farewell My Concubine, dir. Kaige Chen, 1993), Dung Che Sai Duk (dir. KarWai Wong, 1994), Wo hu cang long (Crouching Tiger Hidden Dragon, dir. Ang Lee, 2000), Fa yeung nin wa (In the mood for Love, dir. KarWai Wong, 2000), Sè, jiè (Lust, Cautions, dir. Ang Lee, 2007), Tai yang zhao chang sheng qi (dir. Wen Jiang, 2007), and Yi jiu si er (Back to 1942, dir. Xiaogang Feng, 2012). 8 7 As it is known, between 1937 and 1941 Franklin D. Roosvelt established different forms of international collaboration, especially with Brazil and Argentina where the danger of expanding Nazism was a real possibility. Walt Disney adhered to that policy and showed it with the realization of short films that mixed animation with real images: Saludos amigos (1941) and Three Caballeros (1944). In the present text, a reference to the Good Neighbor Policy should be intended as the metaphor of a dormant, usually political scope that hides behind the comforting content of a formally attractive facade. For a better contextualization see Sergio Miceli, Film Music. History, Aesthetic-Analysis, Typologies, trans. and ed. Marco Alunno e Braunwin Sheldrick (Milan: Ricordi, 2013), 750 ff. Cinema again has been the vehicle for a revival of the Good Neighbor Policy through the James Bond series and other movies. Source: many DVDs, Archive S. M., Florence. 8 One should always mention the place of production (omitted here for lack of space). In this specific case, for example, it would allow the reader to distinguish among those films that were produced in Hong Kong, Shanghai, Taiwan and Beijing. As a quick and useful reference one may consult Marco Dalla Gassa and Dario Tomasi, Il cinema dell'Estremo Oriente. Cina, Corea del Sud, Hong Kong, Taiwan, dagli anni Ottanta a oggi (Torino: UTET, 2010); and M. Müller and A. Nicosia, eds., Cento anni di cinema cinese 1905-2005, "Ombre elettriche" (Roma: Gangemi, 2005). Source: Archive S. M., Florence. This concise description of point II cannot be complete without at least one more element: the traversal interests from part of different genres. The reader will see, in fact, that a Celtic dance might have something in common with the Tattoos that take place every year in many towns and countries all over the world. The virtuosity component associated to a sort of downplaying humor make these military numbers actual pieces of dance. But this is not all. These military parades, performed in China, South Korea, Russia and North-America in the presence of the highest public authorities, sometimes include performance features that have nothing to do with the parade itself. Some successful kinds of performances would not strictly enter the ‘show’ category, but in this text my arguments have often an anthropological standpoint, so that even a military parade can be judged as a sort of entertainment show (thus must be, at least, in the intention of the organizers and of those who attend it and intensely applaud it). Every genre examined here has a pronounced multiformity that calls for other genres and, in some cases, the same musical piece is used more than once in genres of different kinds. The Gael — Promentory, better known as the ostinato Theme from The Last of the Mohicans (with Daniel Day-Lewis, dir. Michael Mann, music Trevor Jones, Randy Edelman and others, 1992), is a paradigmatic example. We can find it in live performances for violin and percussion (Jenny O’Connor and Circa Paleo at the Texas Renaissance Festival in Houston) or in promotional videos — e. g. the version by violinist Taylor Davis with the accompaniment played by a string orchestra — in a 2008 and 2010 Irish Tattoos, both performed by the Royal Edinburgh Military Band, and in a CD recorded in 1999 by the Royal Scots Dragon Guards ( Highland Cathedral, Scotdisc, second tracks; there should be also a DVD release of it). In these kinds of ensembles, melody and harmony are typically played by bagpipes and the rhythmic section by military drums. The Gael has been performed also in some Irish dance shows, 9 as well as in the version by Trevor Jones who, during a film music concert, conducted the Spanish RTVE Symphony Orchestra playing his 10 music for The Last of the Mohicans. For the moment being, I think that no other examples of extreme multifariousness and genre assortment are necessary. In any case, more will be mentioned later. The conclusion is: even in folk shows it is possible to appreciate different grades of bad taste and Kitsch, although nowadays the definition of this concept has been frequently questioned. This means that it is possible to venture a critical evaluation also with regard to some artistic productions that the “official” musicology, in fact, ignores on principle or simply is not aware of. 9 However among the Irish Dance’s YouTube videos there is a fake realized by an active prankster. With regard to the difference between active and passive YouTube users read further on. 10 The composers of the music track for the film are three, plus several orchestrators. See Sergio Miceli, Film Music, 348, 361, 494. To such traversal interests we must add two other characteristics concerning the stylistic (1) and the audience’s point of view (2). 1. The former entails the use of effects (light, smoke machines, synchronized bursts, etc. ) initially created for rock concerts, but later adopted everywhere, including Les Misérables (military parades are an exception since are traditionally and necessarily performed en plein air) 11. 2. In addition to this, we must not forget that the common denominator in these kinds of shows is the constant presence of very large audiences who always participate with an enthusiasm and an engagement unknown to ‘serious’ spectacles. 11 French expression for “outdoor” [EN]. One of the ambitions of this essay is to deal with phenomena that lay between culture and entertainment, 12 the most important of which is animated cinema 13 — quite often underused, as we shall see in Part III but also illustrated books, comics, etc., up to videogames and other means of expression typical of our times such as the Flash Mob. 14 However, my analysis of Les Misérables could not be ‘complete’ without a quick review of transcriptions for small ensembles and reductions for one or two instruments (including karaoke) of the most memorable excerpts of the original score. 12 The difference between culture and entertainment entails a basic flaw that the present work should be able to dissipate. It should be clear, in fact, that the persistence and diffusion of entertainment phenomena may be considered, in retrospect, as attributes of a cultural reality, otherwise, just to make an example, a good deal of the historiography of musical theater from the XVII century onward would be worthless. 13 Not animated cinema in general but the animated cinema on the subject of Les Misérables. 14 Since it is a quite recent phenomenon (it seems that the first Flash Mob took place in New York in 2003), I think it is useful to provide a short explanation. The expression is composed of the word ‘flash’ (quick) and ‘mob’ (meant both as ‘public gathering’ and ‘mobile’, referring to cell phone). It consists in a short musical action with instruments or a prerecorded track realized by a number of people who gather in a public space apparently by chance. They ‘improvise’ a famous piece through dancing, singing and playing in an open or closed space — usually a square, a railway station or an airport. At the end of the performance everyone disperses as if nothing happened. Such a kind of show is used both for public events (celebrative or political) and private occasions (e. a marriage proposal). Source: YouTube 2013-2014. On the other hand, it would have been necessary to dedicate a chapter to the review of the contemporary recording productions both in CD and online, which seems to be nowadays the most successful system of distribution since Apple iTunes (I refer in general to music with no physical frame). Some facets of LPs, VHSs, DVD-Data, or other devices such as the multimedia CD-ROMs that have been promptly outdone by new systems. Although Les Misérables has had a privileged seat in each one of these technological areas, there is not enough space to examine them thoroughly. Therefore, the reader should be ‘content’ with some information on the audiovisual materials taken as a reference and provided in the conclusion of each chapter. In any case, the largest amount of sources is found in DVDs/CDs and YouTube. Why YouTube (and to a lesser extent Vimeo and others)? First of all, for its virtues: to my knowledge, there is no other comparably extensive video database in the world. YouTube is used by both passive users who just watch and sometimes download (even scholars have begun to understand how useful it is) and active users who upload videos (among them there are software, hardware and household appliances’ producers). Passive users can find videos for all tastes: comedy, games, pets, any sport, politics, softcore sex, serious panel discussions, satire, and amateur and professional, but not yet successful musicians who upload their homemade recordings for self-promotion. There are also big names of the show business ranging from old artists — the first to have been recorded — to newcomers. YouTube is also a market where promotion (arguably meaning true information) and support (instructional videos on “how to do it”) share the same video platform with ruthless amateurish and professional tests of the latest technological gadgets. YouTube’s success is supported also by its presence in many other important websites. Nonetheless, the most remarkable and profound aspect of this video-sharing website consists of its countless active users who, hiding sometimes behind a pseudonym or unintelligible languages, post what is interesting to them. Except for some skepticism, this mass of users deserves the gratitude of all passive users, including me, of course. The access is free so far, but, while I am writing these words (Winter-Spring 2015), I read about a project to be soon enforced that would offer two different kinds of access: a free one, as it is now, and a payment access with no advertisements. Despite all I have said above, it is not accidental that in my quite long teaching experience I have always discouraged my students from a naive use of YouTube. In fact, with regard to film music, especially for silent films, one would frequently come across unacceptable post-synchronized copies that are sometimes put on the market by distributors who refused to pay the copyright fee for the use of the original music, which is often recorded on the occasion of the film restoration. Sometimes it is even worse: the post-synchronization is a homemade editing carried out by the user to juxtapose his/her beloved music to his/her beloved movie. This kind of user, whether or not he/she knows it, is a follower of Giorgio Moroder who, in 1984, evidently experiencing a prolonged sense of omnipotence, made a ‘History’ pastiche with Fritz Lang’s Metropolis (1927), even though the film possessed an original post-synchronized 15 score by Gottfried Huppertz (1887-1937). 16 But, how many were aware of that? 15 Post-synchronization, although didactically necessary, is a thorny question because a silent film is thus perceived as a sound event. This habit irremediably corrupted the psycho-perceptive and, hence, aesthetical sphere. In fact, post-synchronized silent film and sound film are totally different things. I briefly analyzed such a difference in Sergio Miceli, Musica e cinema nella cultura del Novecento, 3ª enlarged ed. (Rome: Bulzoni, 2010), 249-77). 16 Live version performed at the 60° Berlin Cinema Festival in 2010 in the Friedrichstadtpalast. Of the several versions available in the market, the best is undoubtedly The Complete Metropolis, 3 DVDs Bluray, with a 50-minute documentary on the film’s restoration by ALPHA-OMEGA (Munich, 2010) that includes 25 minutes of previously unreleased scenes found in Buenos Aires and other places. As a bonus, The Complete Metropolis ’ s music is a performance of the original Huppertz’s score played by the Rundfunk-Sinfonieorchester Berlin and directed by Frank Strobel [and Otto Harzner] (Kino Lorber films, Transit, Murnau Stiftung, Warner Home Video, 100025938, 2011). See also Paolo Bertetto, Fritz Lang. Metropolis (Turin: Lindau, 1990). Sources: Archive S. M., Florence. What should be particularly stressed is that those who are responsible for such juxtapositions and those who are so kind to upload on YouTube some rare video, too often do not quote their sources and provide the recording’s data. Therefore, once the searched video has been found, the scholar is now in front of a series of philological verifications. Likewise, information found on another very useful website such as Wikipedia needs to be always verified. From this point of view, the difference between YouTube and Wikipedia is that the latter openly states to be only partially or potentially reliable, while the former is left to the user to judge. If it is true that one of YouTube’s strengths is being a bottomless repository of video information, is also true that its utmost anarchic soul is often irritating. For example, in a video performance of a piece from the Western repertoire of cultivated music (the so-called ‘classical music’: a slightly ethnocentric definition that should not be used) just the name of the interpreter is mentioned, while the composer — as it is typical — the orchestra, the conductor, the place and the year of production are completely neglected. Moreover, YouTube frequently offers very similar versions of the same video but with different titles. One might recognize them because of the video quality and/or the content of the images. On the other hand, philological analysis is not an option for the aficionados who might lack of the specific tools for that kind of approach. Therefore, the data they provide are often of no help to the specialist. One last observation regarding the data provided by the generous ‘donor’ concerns the language. Except for the main European languages that every scholar should know at least at an elementary level, comments in Cyrillic, Chinese, Korean, Japanese or one of many Arabian dialects, catch any Western reader unprepared. In the following second part of this Forward, I should go back to a subject that I mentioned at the beginning, but that I did not develop enough: the often implicit and only rarely explicit aesthetical belief that stands behind an analytical work. The exception is represented by some well-known scholars whose interests go beyond film music and whose aesthetic tendencies are evident both in their writings and in their entries in an encyclopedia. Therefore, my aesthetical judgment will be made explicit and, if it is not clear enough, will be openly revealed in the Conclusions to Part I. However, an answer will be mandatory; one that explains the reason for the aesthetic evaluations emerged from the brief analysis of each phenomenon. I will try, above all, to dodge the well-known, bad habit of implying but not stating one’s own aesthetic point of view. That point of view should always be declared as squarely as possible, even when the author is beset by terrible doubts about a necessarily clear-cut definition of his/her own aesthetic affinity. In this case the author should then declare what aesthetic areas are not viable or must be completely averted. 17 17 When I am assaulted by these doubts I always recall a beloved poem ( Non chiederci la parola — Don’t Ask Us for the Word) from Eugenio Montale’s Ossi di seppia ( Cuttlefish Bones) (1920-1927). The last quatrain says: “Non domandarci la formula che mondi possa aprirti, / sì qualche storta sillaba secca come un ramo / Codesto solo oggi possiamo dirti, / ciò che non siamo, ciò che non vogliamo”, Eugenio Montale, L’opera in versi, Torino: Einaudi, 1980, p. 27. M., Firenze. “Don’t require from us the formula that can open worlds for you, / rather some syllable crooked and dry like a branch. / This alone today we can tell you, / what we are not, what we don’t want. ” In A Selection of Modern Italian Poetry in Translation, ed. and trans. Roberta L. Payne (Montreal: McGill-Queen’s University Press, 2004), 127 [EN]. I will end this introduction with some information that cannot be deduced from the Index. The timeline followed throughout this work is partially chronological, except for Part I, which is particularly sui generis. In other words, let us take a paradigmatic example regarding Part II: although the most ‘ancient’ media representation of Hugo’s novel is a silent film, I preferred to talk first about radiophony and, then, move straight to silent cinema and, eventually, sound cinema. Such a decision might seem due to a rational motivation, but behind it there is also a merely irrational one: paraphrasing the Bible, in the beginning was the radio. 18 Since it is an irrational belief, it would be hard to explain it with a few words. I will just say that if cinema at the beginning of the XX century was, especially in Europe, still in search of its own identity (as it was lacking synchronized sound and montage), radio was far ahead. As early as the 1920s, radio could show a sort of enviable ‘completeness’, enhanced later by both the FM transmission (the same ultra-short wave technology used in television broadcasting) and stereophony, thus making the previous AM transmission (short and medium waves) obsolete. They are important technical improvements that can significantly ‘update’ the expressive possibilities and the listening qualities of the communication mean without affecting its substance. This has nothing to do with cinema and the progressive addition of new elements that, in a way, altered its nature: first of all montage (because, as I have already said, it is the most important characteristic of film language), then the transition from black & white to color (not everyone liked it), the widening of the screen from 4:3 to other aspect ratios (some exulted, other grumbled), and last but not least, the switch from silent to sound cinema. Just to mention the latter, let us remember that since 1926 many authoritative supporters of the ‘silent art’ complained about what was happening (we are talking of such figures as the artist Charlie Chaplin or the theorist Rudolph Arnheim). 18 It is just a wisecrack. The Bible ( Genesis, 1. 0) says: “In the beginning God created the heaven and the earth. ” Acknowledgments and Dedication First of all, I want to thank my London friend Enrica Sciandrone for her essential help in finding several documents of absolute importance toward my research. Enrica has been generous and patient. I think one could not ask more to a friend. I thank also Mrs. Marie () from Saint Médard en Jalles (France) for providing some old VHSs. Thanks from the bottom of my heart also to my friend Bai XueHui for her crucial help in solving linguistic problems in a variety of Eastern idioms and for checking my translations into Chinese and Japanese. A special praise goes to my dear friend and colleague Marco Alunno. After having recently translated and edited almost 1000 pages of my manual Film Music, he accepted to put his uncommon competences to the service of the present work. For a review of his translation Marco was assisted by Mrs. Rhoda Di Stanislao. I want to send a sign of deep gratitude to Alexander Chernyshov (Александр Чернышов), Editor in Chief of ESM Mediamusic and Maxim Bysko (Максим Бысько), Administrator and Deputy Editor of ESM Mediamusic. They showed willingness, confidence and cordiality in accepting my proposal and accompanying me in a quite long journey. A lot of gratitude goes to my dear friend and colleague Renata Scognamiglio for having read the text of Part I in advance and having found the time to give me valuable suggestions, despite her numerous occupations. Likewise, I would like to thank my friend and colleague Roberto Giuliani for having read a draft of the chapter on radiophony in Part II and my friend and colleague Maurizio Corbella for letting me cite his forthcoming work Il podio e lo schermo: La musica per film nella programmazione delle orchestre sinfoniche dell’EIAR e della RAI. At this rate, though, I should thank many other friends-colleagues who did not materially help me but comforted me with their esteem and affection.. Finally, I especially thank my wife Rita Pagani and my daughter Chiara for the patience they had with my continuous and now proverbial mood swings during the writing of this essay. This essay in four parts is dedicated to Bai XueHui of East Běijīng. It would have never seen the light without her gentle and delicate incitement. In other words, I owe her the initial engagement in a subject — Les Misérables — whose innumerable and exciting multimedia potentialities I have found out later on. In closing, it is my desire to summarize the concept in Chinese Mandarin, Bai’s mother tongue. 献给白雪卉,感谢她为我带来莫大的灵感。 Florence, August 2015, S. M.

When that balloon burst during young cosette's singing, I'm damned impressed she held the note with little to no waver. Im in Les Mis as Woman #3 😂. Heres hoping this production is nominated for Best Musical Revival.

Les misérables: the staged concert los angeles

Burger king impossible whopper lawsuit. Les Misérables: The Staged concerts hors. Burger king images. Use one of the services below to sign in to PBS: You've just tried to add this video to My List. But first, we need you to sign in to PBS using one of the services below. You've just tried to add this show to My List. But first, we need you to sign in to PBS using one of the services below. Sign in with Google Facebook Sign in with Facebook PBS Sign in with PBS Account Don’t have a PBS Account? Create a PBS account Using your PBS account, you can: Enjoy the latest content from your local PBS station Use My List to save your favorite shows and videos for later Sync your viewing history and pick up where you left off on any device By creating an account, you acknowledge that PBS may share your information with our member stations and our respective service providers, and that you have read and understand the Privacy Policy and Terms of Use.

Got full show. En 1804, Monsieur Charles François Bienvenue Myriel était curé de Brignoles et il vivait dans une retraite profonde…à l’époque du couronnement, une petite affaire de sa cure l’amena à Paris, où il alla rencontrer pour ses paroissiens Monsieur le cardinal Fèche! Illustration de Lix. Gravure en frontispice de l'edition Ollendorff 1906. Le forcat et la prostituée: Jean Valjean et Fantine, mere de Cosette et fille de joie • Crédits: Gusman - AFP Réalisation François Christophe Adaptation Hélène Bleskine Conseillère littéraire Caroline Ouazana Victor Hugo a soixante ans lorsqu’il achève la rédaction des Misérables. Dès sa parution, le 3 avril 1862, les lecteurs s’arrachent le livre. En octobre, dans une lettre adressée à son éditeur italien, Victor Hugo écrit: « Vous avez raison, Monsieur, quand vous me dites que le livre Les Misérables est écrit pour tous les peuples. Je ne sais s’il sera lu par tous, mais je l’ai écrit pour tous. Il s’adresse à l’Angleterre autant qu’à l’Espagne, à l’Italie autant qu’à la France, à l’Allemagne, autant qu’à l’Irlande, aux républiques qui ont des esclaves aussi bien qu’aux empires qui ont des serfs. Les problèmes sociaux dépassent les frontières. Les plaies du genre humain, ces larges plaies qui couvrent le globe, ne s’arrêtent point aux lignes bleues ou rouges tracées sur la mappemonde. Partout où l’homme ignore et désespère, partout où la femme se vend pour du pain, partout où l’enfant souffre faute d’un livre qui l’enseigne et d’un foyer qui le réchauffe, le livre Les Misérables frappe à la porte et dit: « Ouvrez-moi, je viens pour vous ». À l’heure, si sombre encore, de la civilisation où nous sommes, le misérable s’appelle l’homme; il agonise sous tous les climats, et il gémit dans toutes les langues ». Mais si l’histoire des Misérables a ému tant de lecteurs - roman-fleuve où rien ne manque, le suspens, les digressions, les interrogations, les personnages incroyablement présents, leurs destins entremêlés - c’est aussi grâce à une langue. Celle d’un grand poète de la littérature. Cette adaptation radiophonique a voulu rendre compte de cette langue puissante et incroyablement vivante en la faisant entendre littéralement car l’histoire a presque fini par oblitérer la singularité de la voix qui la porte. On reconnaît la trame, les personnages mythiques, le Paris des révolutions, mais on a perdu ce qui est écrit. C’est assez difficile à exprimer, mais c’est ce que l’on découvre lorsqu’on se laisse envahir par le livre. C’est comme si l’on touchait du doigt les fibres de notre patrimoine dans ce qu’il a de meilleur, dans ce qu’il peut nous rendre meilleur. Victor Hugo aime l’Histoire et il nous la fait aimer. Dès lors, le choix de l’adaptation pour la radio fut de faire entendre sa voix. Et elle apparaît en éclats de voix, ou voix en éclats. Presque cousues pour aller à l’épure. En espérant transmettre cette émotion provoquée par ce qui est écrit. Avec Philippe Magnan  (Le narrateur) Jean-Marie Winling  (Jean Valjean) Michaël Lonsdale  (Monseigneur Myriel) Thierry Bosc  (Le conventionnel) Laurence Mercier  (Mlle Baptistine) Christine Pignet  (Mme Magloire) Etienne Grébot  (L’aubergiste) Jacques Poix-Terrier  (Le brigadier) Et la voix de Myriam Ajar Musique originale composée par Krishna Lévy Interprétée par Françoise Guéri, Christophe Guiot, Laurent Lefèvre, Philippe Nadal  et Françoise de Maubus Bruitage Patrick Martinache Prise de son, montage, mixage Catherine Déréthé  et Sébastien Labarre Assistante à la réalisation Laure-Hélène Planchet Rediffusion de 2012.

Having seen this at my local theater it's the most powerful thing i have watched live. Would like to see it again. The C D is on most days, blasting the music it. More More. Les misérables: the staged concert youtube. Les misérables the staged concert encore.

Les misérables the staged concert (stc. How did you find Michael Ball as Javert? The OG Marius in 1985. Fab Edna in Hairspray 😊. Les misérables the staged concert. I love these thenardiers. Les misérables: the staged concert lyrics. I really enjoyed seeing Les Miserables The Staged Concert at the Gielgud Theatre in London on Saturday 5th October 2019 in the matinee afternoon performance and it was brilliant and I saw it with Alfie Boe, Michael Ball and Matt Lucas and they were amazing.

Les misérables: the staged concert album. Les misérables: the staged concert tickets. Lea Salonga's On My Own at 1:20:13. Les misérables the staged concert blu-ray. Les misérables the staged concert gielgud theatre 8 december.

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Lea tsemel 2c advocate video. Of all the movies I have seen this is Al Pacino best roll. He really makes you believe he is the devil. He played it so well he scared me. Did not understand the ending of this movie. How it ended one way then was reset back to the way it started. The girl who played his wife looked so fine with the long blond hair, hated she cut it, and she went crazy. Lea Tsemel, avocat paris. Lea tsemel advocate job. Lea tsemel 2c advocate 2. இளைஞர்களின் கனவு கனவாக இல்லாமல் இருக்கட்டும் நிஷாந்த் நிலைமைதான் எனக்கும். About nine months ago, I vowed to no longer post new content about Adnan Syed’s case because I thought there was nothing left to say that had not already been said. Unfortunately, there is one stone left unturned and I take no pleasure in showing what is underneath. This will not be a fun read, but it’s the missing link that connects several loose threads and explains what happened twenty one years ago today, on January 13, 1999. The purpose of this piece is to demonstrate how the plot to murder Hae Min Lee was not conceived by Adnan. Although Adnan was involved, the plot was likely conceived by Bilal Ahmed. I was tempted to bury the lede and first lay the foundation detailing who and what Bilal is before dropping this assertion because I know that many will stop reading after the previous sentence and tell me that I’m full of shit. That’s ok. You are not my target audience. That is not to say that my target audience agrees with me. This is intended for those who have the patience to read my ridiculously long posts and THEN provide cogent arguments as to why I am full of shit. My earlier post focused on team Adnan’s post-arrest antics and how they fabricated the Asia alibi. This one focuses on the planning and execution of the plot to murder Hae Min Lee. I know I’m going to catch a lot of shit for this one from the tl/dr crowd. This is for those of you who have a modicum of patience and are willing to follow the logic and facts. If after reading all this you disagree, as always, I more than welcome your criticism and challenge to my analysis because I didn’t come up with all this shit in a vacuum. It was all of you with whom I engaged in lively discussions and debates that deserve a co-authorship credit. While this will not change that Adnan is, in fact, guilty, it may help bring some of the #FreeAdnan community around while at the same time demonstrating to the #MayAdnanRotInHell crowd (of which until recently I was a member) that Adnan is also a victim in this tragic story. As with almost everything, the truth lies somewhere between the two extremes. This will likely be at least a two-parter due to the word limit, but I promise that I will try to make it worth your while. There are issues that will be discussed that are much bigger than this case, including the toxic effects of spiritual abuse and the shame--particularly among boys in religious communities--that keeps its victims silent. Also, in our unfortunate times, a good story often trumps the truth when it comes to what passes as journalism these days, especially when Peabody awards, financial gain and millions of social media followers are at stake. Who is Bilal Ahmed Bilal Ahmed was the youth leader at the Islamic Society of Baltimore (ISB), the mosque that is down the street from Adnan’s home, which he and his family attended regularly. According to Bilal, he has known and been close to Adnan since Adnan was 11 years old. Bilal is about 10 years older than Adnan. At the time Hae was murdered, Bilal had a wife and children and was a dental student at University of Maryland where he had an office and served as a graduate assistant. On the surface, Bilal appeared to be an upstanding member of the ISB community. In reality, Bilal is a monster who is incapable of crossing the street in a way that is ethical, legal and not disgusting. During the six years preceding Hae’s murder, Bilal and Adnan shared a close relationship where, on the surface, Bilal served as Adnan’s religious “mentor”--the man to whom Adnan’s parents entrusted their son. He bought Adnan his first cell phone that Adnan activated on January 12, 1999. When Adnan was arrested for murdering Hae Min Lee, Bilal was Adnan’s first call. He arranged for Adnan’s legal representation. He organized fundraisers to help Adnan pay for his defense. He visited Adnan in prison more than anyone who wasn’t family or an attorney. He testified for five days during the grand jury proceedings (mid Feb to mid April 1999), more than any other witness, after which the GJ indicted Adnan. He was expected to testify at trial that he saw Adnan at the Islamic Society of Baltimore (ISB) the evening of January 13, 1999 at around 8 PM. We know, however, based on Adnan’s cell records along with the testimony of Jay Wilds and Jen Pusateri, that Adnan was not at the mosque at that time. Then suddenly Bilal vanished from the case in October 1999 following an arrest for criminal sexual conduct with a minor for which he was not charged. Not one mention of Bilal by either the prosecution or defense during the trial. Not one mention of Bilal in the Serial Podcast except once in passing during the last episode. And, of course, not one fucking mention during the crockumentary on HBO. Aside from being Adnan’s greatest champion and advocate before mysteriously disappearing, there are several aspects to Bilal that would incentivize a person who is trying to make a case to the public for Adnan’s innocence to keep Bilal out of the story. He is a sexual predator. He was likely a criminal informant. He was part of a scheme to leak grand jury information (no separate heading for this, just follow the link). He committed fraud, bilking taxpayers out of nearly $6 million. That does not encompass all of Bilal’s infractions, but it’s all we need to discuss for the purpose of this analysis. Bilal the Predator We know that Bilal Ahmed is a child molester. The source for some of this information is Adnan’s most famous and high profile advocate, Rabia Chaudry. When she’s not busy making specious arguments on blogs, podcasts and HBO documentaries, Rabia occasionally, and by accident, tells the truth. The details of the incident are in what appears to be an arrest record shown in Rabia’s book, but being the crack lawyer that she is, she neglected to include any citation or reference identifying the source of this document. I could not pull the original arrest record from the web, but given other references to it, we can assume it is authentic. The boy with whom Bilal was caught was 14 years old. He was a refugee who had escaped with his family to the US from the war-torn Balkans. Being Muslim, the boy and his family were taken in by the ISB. How relieved they must have felt to have found a community that shares their faith. Like many other parents, they made the mistake of placing their son in the hands of Bilal Ahmed. The lurid details of the incident are described in the above-linked report. The boy, in his limited English, claimed to be in love with Bilal. Bilal did an effective job grooming him. Bilal was in possession of a photo of Adnan in his wallet at the time of the arrest. The boy was shown the photo, recognized Adnan and told the police that Bilal took the boy to visit Adnan in prison. Adnan’s visitor records only go through October 6, 1999, about a week before the arrest. Although Bilal’s name appears all over the visitor log, the boy’s name does not. I’ve often wondered why the prison visitor log was cut off in early October when the trial was not until a few months later. It is possible that the boy accompanied Bilal after the Oct 6, 1999 cutoff date of the publicly available record and the cutoff date was intended to protect the boy and/or Bilal. The boy knowing Adnan is not surprising. It is common practice for pedophiles to use the victims they previously groomed to help secure new ones. Before you get your underwear in a bunch over the implication that there was an inappropriate relationship between Adnan and Bilal, please read on. So we know that Bilal has a history of grooming and molesting young boys. As with predatory priests, his acting out sexually with boys has more to do with counting on shame to keep his victims silent. After receiving his dental license, Bilal used anesthetics to which he had access to accelerate the grooming process to knock out his victims. Bilal is currently serving a 16. 5 year sentence for using his dental practice to sexually assault his patients while they were under anesthesia. This was discovered when one of his patients awoke earlier than Bilal intended to find Bilal’s dick in his mouth. Several incidents involving Bilal’s patients and staff between 2010 and 2014 were cited in the criminal proceedings. Before that, we know that he was a serial molester of young boys and used his position as youth coordinator at the Islamic Society of Baltimore (ISB) to give himself a steady stream of victims. Bilal’s appetites are described by Rabia in her book and while we should take anything she says with a grain of salt, as mentioned above, she occasionally tells the truth by accident. Bilal was also allowed to operate a daycare center with his mother--another rich source of unsuspecting victims to whom he had easy access, over whom he had authority and control. He used faith to gain the trust of parents at the ISB who felt comforted that their young boys were with what they thought was a good Muslim role model. This gave him easy access to his victims. Normally, an adult in his 20s (who did not make Thriller) hanging out with children ranging in age from 11 to 17 years old would raise eyebrows. But in the context of a spiritual mentor helping guide young boys, ISB parents were more than willing to place their sons in this sick fuck’s eager hands. Among those who trusted Bilal were Adnan’s parents, Shamim and Rehman. While many are quick to share the opinion that Bilal is a fucking monster, they inexplicably convince themselves that his relationship with Adnan was as pure as the driven snow. Bilal is a garden variety pedophile and predator that society likes to pretend does not exist. He and those like him seek positions that give them access, authority, trust and control (AATC) over their victims and often the victims’ families. They are coaches like Jerry Sandusky who was recently re-sentenced. They are boy scout leaders. They are camp counselors. They are teachers. They are members of the clergy. They are youth directors. Every time a story of their nefarious acts is reported, it includes the same fucking line: “Most alarming, the predator(s) worked as [any of the preceding jobs that give them access, authority, trust and control]. ” We all have a collective freakout despite the fact that this happens so goddamn always before settling back into the comfort of believing that monsters like this only exist in horror movies, that Jeffrey Epstein (who started out as a teacher) was a lone wolf and things like human trafficking are a myth. Obviously, I am not saying that everyone seeking out AATC positions are predators just like every patient who sees a doctor is not a drug seeker, but as with drug seekers, there is a small, but not insignificant percentage who are and we need to give careful scrutiny to those seeking such positions. Rabia, as always, muddles the issue by raising the inaccurate and irrelevant point that Bilal was known to be homosexual. This likely reflects the thinking of Adnan’s community--which is NOT and should NOT be reflective of the larger Muslim-American community any more than the Westboro Baptist Church reflects the views of all Christians. Admittedly, that is an overly harsh comparison, but it explains a lot about why Adnan has remained mum about Bilal, which will be discussed in more detail later. Alternatively, it may also reflect Rabia’s agenda of portraying Adnan as a womanizing player (more on this later too) in sharp contrast to Bilal, whom she wants us to see as a homosexual. Let’s not forget that Bilal had a wife and children. Referring to him as a homosexual is no different and no less ridiculous than putting an accusatory spin on a man who rapes women by noting that he is heterosexual. A predator is a predator. Sexual orientation is irrelevant to predatory behavior except to pearl-clutching douchebags with an agenda who are intent on demonizing the orientation to which they do not belong. If you think that Bilal behaved like an unhinged predatory psycho with everyone EXCEPT Adnan, you need to pull your head out of your ass. “But Adnan doesn’t sound like someone who was molested! ” That sounds as ridiculous as Sarah Koenig blathering about Adnan not seeming like a killer. Actually, molestation is far more common than murder and there are too many out there suffering in silence who otherwise seem perfectly normal. Bilal the Criminal Informant While ineptly trying to create more distance between Bilal and Adnan in her book, Rabia again accidentally tells the truth. She describes Bilal as a hypocrite with a history of publicly ratting out people from his own community for lesser sins than his own. Specifically, she describes an incident where he went to a college party that was likely be attended by young adults from the ISB community. For Muslims, attendance at parties by members of the opposite sex is frowned upon where dancing and alcohol are involved. Our communities are not unlike the one depicted in Footloose except with brown people. Anyway, Bilal, in a move that John Lithgow’s character would have considered extreme, went to the party, took note of all the ISB community kids who attended and announced their names at the next Friday prayer services (Muslims pray in congregation on Fridays the way Christians attend church on Sundays). Given that Bilal did this in public before a congregation of hundreds at the ISB, I am inclined to believe that Rabia is not making it up. Bilal’s motivation to do this, however, initially left me scratching my head. Most of what we know about Bilal falls well outside the bounds of what is considered normal. He IS, however, a typical predator. His snitching behavior is also typical of a criminal informant. We know based on Bilal's predatory behavior that while he may be careful about grooming his victims, he exercises zero impulse control. His October 1999 arrest was not likely his first. I paid for a background check on him to see what turned up in his criminal record and surprisingly there was nothing--not his Oct. 1999 arrest not his arrest 17 years later that led to his being sentenced to 16. 5 years in jail nor anything in between. For a person like Bilal to have to have a clean record despite being dirty suggests that he was protected. This type of protection is common for criminal informants who are often low-life pieces of shit. They get arrested for criminal activity and avoid charges by working for the government and making cases for the feds through deception and baiting their targets. Basically, exploiting the same skill set that made Bilal an effective predator. CIs often provide their targets with the plot and the tools to carry out the crime. These pieces of shit not only avoid jail, but are often able to continue their criminal behavior under the government’s protection--at least until it would be bad PR for the government to continue covering the CI's ass. A powerful documentary--back when HBO made real documentaries--that demonstrates how shit-heel CIs operate and can be found here. Bilal testified in March 1999 in the grand jury proceedings that led to Adnan’s indictment. Between his bizarre explanation of standing in loco parentis and getting Adnan a cell phone that was activated one day before Hae’s murder, claiming to see Adnan at the ISB during the evening of January 13, 1999 and his cagey explanation for reserving hotel rooms on the ISB’s dime, the cops felt compelled to subpoena Bilal’s cell records. The cell records show the following: 1) His phone is under a government account. Oh, you think he got the cell through his grad assistant position at UMd School of Dentistry? Having been a grad student at a state university at about the same time, I can unequivocally say that neither I nor my major professor received such a benefit. 2) He had at least three mobile lines under his name racking up thousands in cell charges. As if UMd would be ok with that. 3) Obtaining his records required intervention of a member of the DEA High Intensity Drug Trafficking Area (HIDTA) task force. But wasn’t a DEA subpoena used to get Adnan’s records too? Not so. In Adnan’s case, ATT coughed up his records immediately. It was only when the cops went after the identity info for the 15 numbers Adnan called around the date Hae disappeared that they needed DEA intervention. At any rate, it appears that the Baltimore Police subpoena for Bilal's phone records was red flagged leading a cop on the federal task force to reach out to the investigating detectives and see what they wanted with his likely snitch. The cell records themselves show a call volume that indicate that Bilal would not be able to function without his cell phone. He would not be able to conceive of a plot that did not require one either. Moreover, Bilal's likely status of being a CI explains how he avoided being charged for criminal sexual conduct with a minor in October 1999. Rabia’s absurd explanation is that Bilal was offered a deal where he would be allowed to go free if he agreed to not testify on Adnan’s behalf. We’ll get to how stupid this notion is in a second. First, let’s correct some historical revision and remember that at this stage in the game, Bilal was a witness for the PROSECUTION. Urick had reached out to Bilal in August to go over his testimony, a fact that Bilal did not disclose to the defense until about two weeks later. As to Rabia’s assertion, let’s see how it would have played out for Adnan if Bilal had not taken this fictitious deal. Bilal would have been charged with criminal sexual conduct with a minor and likely would have received some jail time. During Adnan’s trial, would it have looked if the defense brought in Bilal in his orange prison jumpsuit as a witness to testify that he saw Adnan during the evening of January 13, 1999. All the prosecution would need to do is ask, "Mr. Ahmed, why are you dressed in an orange jumpsuit? " After that, all that would be on the jury's mind is whether Bilal had an inappropriate relationship with Adnan as well. Neither side would want that. Inexplicably, Bilal is not mentioned one goddamn time during the entire trial. Both the prosecution and defense stipulated that the cell phone that has Bilal’s name on the contract that was for “Adrian Syedd” does, in fact, belong to Adnan. No effort was made to address how the phone, a key piece of evidence, found its way into Adnan's hands. No questioning Bilal that he did, in fact, purchase the cell for Adnan. No questioning Bilal about the odd timing of his purchasing the cell. Some of those issues were addressed during the grand jury proceedings in March 1999 where Bilal testified for five days, but he was NOT called as a witness at trial. At trial, attorneys from both sides performed verbal gymnastics, going out of their way to avoid using Bilal's name like he's fucking Voldemort. Hell, at least references were made to "he who must not be named" in the Harry Potter series. Bilal was like Voldemort on steroids where he was treated like, "he whose existence must not be acknowledged. " Given how toxic Bilal was, neither side had a huge incentive to call him as a witness. Another possible explanation for why both sides would agree to keep Bilal out of the trial and his continued absence of any mention in the case and podcast (except an inconsequential reference during the last episode) was some bullshit gag order imposed by the federal government out of concern of compromising their “asset. ” There are cryptic references to a witness for the state against whom the defense would have a conflict of interest. The only witnesses against whom the defense would have a conflict are Bilal and Saad Chaudry, both of whom were also represented by Cristina Gutierrez. There apparently was a hearing in the Judge's chambers held on September 8, 1999 of which Bilal was aware. Why would he have known of this hearing unless it somehow involved him. Could it have been to go over how Bilal would or would not be used at trial while keeping his status as a CI intact? If you knew anything about the types of pieces of shit that the government relies on for its sting operations, you would not be surprised that Bilal was one of them. Bilal likely enjoyed his protected status until the government could no longer pretend to look the other way. The charges against Bilal of forcing oral sex on this anesthetized patients was like the government’s version of the Ray Rice tape. Failing to take action would look pretty bad. So yes, the feds’ long history of relying on shit-heel CIs and their inept, transparent attempts to entrap their targets fits Bilal like the glove that OJ pretended was too small. Bilal the Medicare Fraudster When Bilal wasn’t putting his dick in the mouths of his patients under anesthesia, he was lying about putting crowns in the mouths of his patients on medicaid. While Bilal was in prison serving the first two of his 16. 5 year sentence for the former crime, the feds finally came after him for the latter where he bilked US taxpayers out of nearly $6 million. This man is only capable of walking a crooked line. If he was robbed, he would use it as an opportunity to commit insurance fraud. Having established this pattern of deceptive and criminal behavior, we will now move on to the plot to murder Hae Min Lee. CONTINUED IN PART 2...

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ie if ignore ill illegal illness illustrate image imagination imagine immediate immediately immigrant immigration impact implement implication imply importance important impose impossible impress impression impressive improve improvement in incentive incident include including income incorporate increase increased increasing increasingly incredible indeed independence independent index Indian indicate indication individual industrial industry infant infection inflation influence inform information ingredient initial initially initiative injury inner innocent inquiry inside insight insist inspire install instance instead institution institutional instruction instructor instrument insurance intellectual intelligence intend intense intensity intention interaction interest interested interesting internal international Internet interpret interpretation intervention interview into introduce introduction invasion invest investigate investigation investigator investment investor invite involve 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position positive possess possibility possible possibly post pot potato potential potentially pound pour poverty powder power powerful practical practice pray prayer precisely predict prefer preference pregnancy pregnant preparation prepare prescription presence present presentation preserve president presidential press pressure pretend pretty prevent previous previously price pride priest primarily primary prime principal principle print prior priority prison prisoner privacy private probably problem procedure proceed process produce producer product production profession professional professor profile profit program progress project prominent promise promote prompt proof proper properly property proportion proposal propose proposed prosecutor prospect protect protection protein protest proud prove provide provider province provision psychological psychologist psychology public publication publicly publish publisher pull punishment purchase pure purpose pursue push put qualify quality 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respect respond respondent response responsibility responsible rest restaurant restore restriction result retain retire retirement return reveal revenue review revolution rhythm rice rich rid ride rifle right ring rise risk river road rock role roll romantic roof room root rope rose rough roughly round route routine row rub rule run running rural rush Russian sacred sad safe safety sake salad salary sale sales salt same sample sanction sand satellite satisfaction satisfy sauce save saving say scale scandal scared scenario scene schedule scheme scholar scholarship school science scientific scientist scope score scream screen script sea search season seat second secret secretary section sector secure security see seed seek seem segment seize select selection self sell Senate senator send senior sense sensitive sentence separate sequence series serious seriously serve service session set setting settle settlement seven several severe sex sexual shade shadow shake shall shape share sharp she sheet shelf shell shelter shift shine ship shirt shit shock shoe shoot shooting shop shopping shore short shortly shot should shoulder shout show shower shrug shut sick side sigh sight sign signal significance significant significantly silence silent silver similar similarly simple simply sin since sing singer single sink sir sister sit site situation six size ski skill skin sky slave sleep slice slide slight slightly slip slow slowly small smart smell smile smoke smooth snap snow so so-called soccer social society soft software soil solar soldier solid solution solve some somebody somehow someone something sometimes somewhat somewhere son song soon sophisticated sorry sort soul sound soup source south southern Soviet space Spanish speak speaker special specialist species specific specifically speech speed spend spending spin spirit spiritual split spokesman sport spot spread spring square squeeze stability stable staff stage stair stake stand standard standing star stare start state statement station statistics status stay steady steal steel step stick still stir stock stomach stone stop storage store storm story straight strange stranger strategic strategy stream street strength strengthen stress stretch strike string strip stroke strong strongly structure struggle student studio study stuff stupid style subject submit subsequent substance substantial succeed success successful successfully such sudden suddenly sue suffer sufficient sugar suggest suggestion suicide suit summer summit sun super supply support supporter suppose supposed Supreme sure surely surface surgery surprise surprised surprising surprisingly surround survey survival survive survivor suspect sustain swear sweep sweet swim swing switch symbol symptom system table tablespoon tactic tail take tale talent talk tall tank tap tape target task taste tax taxpayer tea teach teacher teaching team tear teaspoon technical technique technology teen teenager telephone telescope television tell temperature temporary ten tend tendency tennis tension tent term terms terrible territory terror terrorism terrorist test testify testimony testing text than thank thanks that the theater their them theme themselves then theory therapy there therefore these they thick thin thing think thinking third thirty this those though thought thousand threat threaten three throat through throughout throw thus ticket tie tight time tiny tip tire tired tissue title to tobacco today toe together tomato tomorrow tone tongue tonight too tool tooth top topic toss total totally touch tough tour tourist tournament toward towards tower town toy trace track trade tradition traditional traffic tragedy trail train training transfer transform transformation transition translate transportation travel treat treatment treaty tree tremendous trend trial tribe trick trip troop trouble truck true truly trust truth try tube tunnel turn TV twelve twenty twice twin two type typical typically ugly ultimate ultimately unable uncle under undergo understand understanding unfortunately uniform union unique unit United universal universe university unknown unless unlike unlikely until unusual up upon upper urban urge us use used useful user usual usually utility vacation valley valuable value variable variation variety various vary vast vegetable vehicle venture version versus very vessel veteran via victim victory video view viewer village violate violation violence violent virtually virtue virus visible vision visit visitor visual vital voice volume volunteer vote voter vs vulnerable wage wait wake walk wall wander want war warm warn warning wash waste watch water wave way we weak wealth wealthy weapon wear weather wedding week weekend weekly weigh weight welcome welfare well west western wet what whatever wheel when whenever where whereas whether which while whisper white who whole whom whose why wide widely widespread wife wild will willing win wind window wine wing winner winter wipe wire wisdom wise wish with withdraw within without witness woman wonder wonderful wood wooden word work worker working works workshop world worried worry worth would wound wrap write writer writing wrong yard yeah year yell yellow yes yesterday yet yield you young your yours yourself youth zone.

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My friend, Owen. Lea tsemel advocate service. Remember last year's Super Bowl, or better yet, the Boycott Bowl? A watch party for History's "Forged in Fire" will start at 7:30 p. m. Wednesday at Streetside Market, 201 W. Thomas St., Hammond. The fourth episode of Paramount's "Ink Master" airs Tuesday night at 9, and Baton Rouge artist 'Money Mike' Thornton is still in the game. Overheard on Monday night's "Brain Games": "Drew Brees can track pandas like nobody's business. " Editor’s note: Reviews used here are taken from Advocate staff, wire and Tribune News Service reports. Critics are attributed as M. P. — Michael Phillips; L. B. — Lindsey Bahr; J. C. — Jake Coyle; J. Ch. — Justin Chang; Jocelyn Noveck — J. N. ; K. W. — … New Orleans Saints quarterback Drew Brees seems to be getting into this reality TV thing. If you didn't happen to catch their antics live when MTV's "Jersey Shore" gang did the Big Easy back in November, look for the edited version soon.  Last year was a good one for New Orleans-born Kelvin Harrison Jr. Out with the old, in with the new — that’s the motto of a new year, isn’t it? Despite his snake tattoo being dissed as unappealing, Baton Rouge artist 'Money' Mike Thornton has survived another week on the Paramount reality series "Ink Master. " Casting scouts from A24 Entertainment are in the Baton Rouge area looking for four new characters for Season 2 of the HBO teen drama series "Euphoria. " Cinema on the Bayou connects French Louisiana to French Canada. Tragedy brings some of the "Black Ink Crew: Chicago" cast to New Orleans on Wednesday night's episode of the VH1 reality series. One tattoo down, many to go. In “A Hidden Life, ” Terrence Malick, the auteur who luxuriates over fields of wheat, blades of grass and cascading water, tells a more accessible story than he usually does. Revere nature though Malick does in his new film, this World War II drama… "I’ve learned that people will forget what you said, people will forget what you did, but people will never forget how you made them feel. " Drew Brees with shoulder-length, dark brown hair, moustache and full beard bussing tables? Although he did make it to the Statue of Liberty, 'Money' Mike Thornton's two months in New York City this summer were no vacation. The role of a reckless diamond dealer is perfect for Adam Sandler. An actor famous for playing annoying louts in comedies, Sandler goes viscerally dramatic as the grating Howard Ratner in “Uncut Gems. ” “Bombshell” has big ambitions. Not much has caused a disturbance in the “Star Wars” galaxy quite like Rian Johnson’s “The Last Jedi, ” an erratic but electric movie that, regardless of how you felt about it, was something worth arguing about. New Orleans Saints quarterback Drew Brees caught washing dishes in a restaurant? If you've seen the new Lifetime movie "A Christmas Wish, " shot in and set in Ponchatoula, you'll remember the wish box. If you don't know about Disney+, there's a decent chance you've been living under a rock. Chances are you didn't see "The Last Black Man in San Francisco. " Grammy Award-winning singer/songwriter and visual artist Solange, who now calls New Orleans home, will perform some of her new music on the "Tonight Show starring Jimmy Fallon" Monday night. A movie about "The Torture Report" will undoubtedly anger audiences. But Amazon Studios' new drama about those events, "The Report, " frustrates for another reason: It's uncompelling. Driving along Ponchatoula's Pine Street last May, you couldn't miss the street lamps wrapped in silver tinsel, giant red bows topping doorways and the more-than-usual amount of twinkling white lights stretched over the Tangipahoa Parish city's mai… Watching "The Irishman" is like spending an afternoon with your grandfather — that is, if your grandpa was a mobster or one of the greatest actors most famous for playing mobsters. Are you and your family good guessers? Pleasant under pressure? Have punchy personalities? Name something the Vicknair family loves to do. Survey says: The quaint Acadiana town of New Iberia will get its two hours of fame on Saturday night when Lifetime airs "Christmas in Louisiana. " In 2002, right there in the lobby of the Broadmoor Cinema 4 in Baton Rouge, a legend held court. Across the last weekends of the year, the box office will get interesting. Nobody was going to stop Warren Beatty from making "Reds. " NEW YORK — Here, again, is Johnny. It’s November and, fingers crossed, Louisiana’s brief fall has finally settled in. With a nip in the air and Thanksgiving on the horizon, there’s plenty to be grateful for. This month, I’m sharing a show I am personally thankful exists: “The West Wing. ” Siblings Chasah West and Charliese West, of Lafayette, have been named winners of the 2019 Short Subject Screenplay Competition held by VRS Media Group. No matter the publicity, the stories, or number of screenings, Greg Sestero still appreciates "The Room. " Twelve years before the Civil War, Harriet Tubman made her bold flight from slavery, journeying 100 miles, alone and mostly on foot, from Maryland’s Eastern Shore to Philadelphia. Rather than stay in relative safety, Tubman became an Underground R… New Orleans' Sophie White will guest-star on Wednesday's episode of the medical drama series "Chicago Med" at 7 p. on NBC. In the New Orleans-set chase-thriller, “Black and Blue, ” Alicia West gets caught between communities. Director Deon Taylor already knew that his New Orleans-shot action-thriller, "Black and Blue, " is a crowd pleaser. Even so, the electric reaction to the movie when it screened recently at the AMC Elmwood Palace 20 in Harahan thrilled him. A meet and greet with New Orleans actor Blake Burt will precede Thursday's 7 p. screening of the new faith-based action film "The Reliant" at Movie Tavern Juban Crossing in Denham Springs. “The Laundromat” is a breezy comedy about greed, fraud and corruption — or at least it tries to be. For a moment, "Maleficent: Mistress of Evil" seems poised to turn into a wonderful take on "Father of the Bride" only with fangs and wings. Miles "Pudge" Halter has a lot on and in his mind. Although Jordan Chase was only a child during the years he and his family lived in the New Orleans area, the blues and soul permeating the city has stuck with him.

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Correspondent - Antonia Hylton

Bio: Host of Uncommitted on @Spotify. Emmy winning & losing Correspondent and Producer. Politics + Civil Rights. 🇺🇸🇨🇺🇦🇺

 

 

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